MARC record from Internet Archive

LEADER: 05592pam a22003614a 4500
001 5043170
005 20221109211709.0
008 041206s2004 nyu b 001 0 eng
010 $a 2004015140
020 $a0415969182 (hardback : alk. paper)
020 $a0415969190 (pbk. : alk. paper)
024 $aR8-468772
035 $a(OCoLC)OCM55846132
035 $a(NNC)5043170
035 $a5043170
040 $aDLC$cDLC$dC#P$dOrLoB-B
042 $apcc
050 00 $aML3531$b.T43 2004
082 00 $a782.421649/09$222
245 00 $aThat's the joint! :$bthe hip-hop studies reader /$cMurray Forman & Mark Anthony Neal, editors.
260 $aNew York :$bRoutledge,$c2004.
300 $axv, 628 pages ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction /$rMurray Forman -- $gPt. I.$tHip-hop ya don't stop : hip-hop history and historiography /$rMurray Forman -- $g1.$tBreaking /$rSally Banes -- $g2.$tThe politics of graffiti /$rCraig Castleman -- $g3.$tBreaking : the history /$rMichael Holman -- $g4.$tB-beats bombarding Bronx : mobile DJ starts something with oldie R&B disks /$rRobert Ford, Jr. -- $g5.$tJive talking N.Y. DJs rapping away in black discos /$rRobert Ford, Jr. -- $g6.$tHip-hop's founding fathers speak the truth /$rNelson George -- $gPt. II.$tNo time for fake niggas : hip-hop culture and the authenticity debates /$rMark Anthony Neal -- $g7.$tThe culture of hip-hop /$rMichael Eric Dyson -- $g8.$tPuerto rocks : rap, roots, and amnesia /$rJuan Flores -- $g9.$tIt's a family affair /$rPaul Gilroy -- $g10.$tHip-hop Chicano : a separate but parallel story /$rRaegan Kelly -- $g11.$tOn the question of nigga authenticity /$rR. A. T. Judy -- $g12.$tLooking for the "real" nigga : social scientists construct the ghetto /$rRobin D. G. Kelley -- $g13.$tAbout a salary or reality? - rap's recurrent conflict /$rAlan Light -- $g14.$tThe rap on rap : the "black music" that isn't either /$rDavid Samuels -- $gPt. III.$tAin't no love in the heart of the city : hip-hop, space, and place /$rMurray Forman -- $g15.$tBlack empires, white desires : the spatial politics of identity in the age of hip-hop /$rDavarian L. Baldwin -- $g16.$tHip-hop am main, rappin' on the Tyne : hip-hop culture as a local construct in two European cities /$rAndy Bennett -- $g17.$t"Represent" : race, space, and place in rap music /$rMurray Forman -- $g18.$tRap and hip-hop : the New York connection /$rDick Hebdige -- $g19.$tUptown throwdown /$rDavid Toop -- $gPt. IV.$tI'll be Nina Simone defecating on your microphone : hip-hop and gender /$rMark Anthony Neal -- $g20.$tTranslating double-Dutch to hip-hop : the musical vernacular of black girls' play /$rKyra D. Gaunt -- $g21.$tEmpowering self, making choices, creating spaces : black female identity via rap music performance /$rCheryl L. Keyes -- $g22.$tHip-hop feminist /$rJoan Morgan -- $g23.$tSeeds and legacies : tapping the potential in hip-hop /$rGwendolyn D. Pough -- $g24.$tNever trust a big butt and a smile /$rTricia Rose -- $gPt. V.$tThe message : rap, politics, and resistance /$rMark Anthony Neal -- $g25.$tOrganizing the hip-hop generation /$rAngela Ards -- $g26.$tCheck yo self before you wreck yo self : the death of politics in rap music and popular culture /$rTodd Boyd -- $g27.$tThe challenge of rap music from cultural movement to political power /$rBakari Kitwana -- $g28.$tRap, race, and politics /$rClarence Lusane -- $g29.$tPostindustrial soul : black popular music at the crossroads /$rMark Anthony Neal -- $gPt. VI.$tLooking for the perfect beat : hip-hop aesthetics and technologies of production /$rMurray Forman -- $g30.$tAirshafts, loudspeakers, and the hip hop sample : contexts and African American musical aesthetics /$rAndrew Bartlett -- $g31.$tPublic enemy confrontation /$rMark Dery -- $g32.$tHip-hop : from live performance to mediated narrative /$rGreg Dimitriadis -- $g33.$tSample this /$rNelson George -- $g34.$t"This is a sampling sport" : digital sampling, rap music, and the law in cultural production /$rThomas G. Schumacher -- $g35.$tChallenging conventions in the fine art of rap /$rRichard Shusterman -- $g36.$tHip-hop and black noise : raising hell /$rRickey Vincent -- $gPt. VII.$tI used to love H.E.R. : hip-hop in/and the culture industries /$rMark Anthony Neal -- $g37.$tCommercialization of the rap music youth subculture /$rM. Elizabeth Blair -- $g38.$tDance in hip-hop culture /$rKatrina Hazzard-Donald -- $g39.$tWendy Day, advocate for rappers /$rNorman Kelley -- $g40.$tThe business of rap : between the street and the executive suite /$rKeith Negus -- $g41.$tContracting rap : an interview with Carmen Ashhurst-Watson /$rTricia Rose -- $g42.$tBlack youth and the ironies of capitalism /$rS. Craig Watkins -- $g43.$tHomies in the 'hood : rap's commodification of insubordination /$rTed Swedenburg -- $g44.$tAn exploration of spectacular consumption : gangsta rap as cultural commodity /$rEric K. Watts.
650 0 $aRap (Music)$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008110459
650 0 $aRap (Music)$xSocial aspects.$0http://id.loc.gov/authorities/subjects/sh2010109537
650 0 $aHip-hop.$0http://id.loc.gov/authorities/subjects/sh95009601
700 1 $aForman, Murray,$d1959-$0http://id.loc.gov/authorities/names/n2001078645
700 1 $aNeal, Mark Anthony.$0http://id.loc.gov/authorities/names/no96063337
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0419/2004015140.html
852 00 $bmus$hML3531$i.T43 2004