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MARC record from Internet Archive

LEADER: 04110cam 2200733Mi 4500
001 ocn772845410
003 OCoLC
005 20210818183613.0
008 120116s2011 alu o 000 0 eng d
006 m o d
007 cr |n|---|||||
040 $aEBLCP$beng$epn$cEBLCP$dOCLCQ$dYDXCP$dN$T$dOCLCQ$dOCLCF$dOCLCQ$dAGLDB$dZCU$dCOO$dMERUC$dOCLCQ$dSTF$dVTS$dICG$dVT2$dJBG$dOCLCQ$dWYU$dDKC$dOCLCQ$dM8D$dOCLCQ$dK6U
019 $a1055336269$a1081204579
020 $a9780817385910$q(electronic bk.)
020 $a0817385916$q(electronic bk.)
020 $a9780817370060
020 $a0817370064
024 3 $a9780817370060
035 $a(OCoLC)772845410$z(OCoLC)1055336269$z(OCoLC)1081204579
037 $b00027072
050 4 $aPN2008 .C889 2011
072 7 $aPER$x011000$2bisacsh
082 04 $a792.05
100 1 $aCurry, J. K.
245 10 $aTheatre Symposium, V 19 :$bTheatre and Film.
260 $aTuscaloosa :$bUniversity of Alabama Press,$c2011.
300 $a1 online resource (153 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aTheatre Symposium Ser.
505 0 $aIntroduction; Melodramatic Borrowings: Life, Stage, Screen; Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams; Frank Castorf at the Volksbühne am Rosa Luxembourg Platz: Alienation Techniques and the Use of Mediated Material on the Live Stage; The London Theatre Goes Digital: Divergent Responses to the New Media; Nollywood: Film and Home Video, or the Death of Nigerian Theatre; The Performative Nature of Filmed Reproductions of Live Performance; Play- within- a- Play or Theatre- in- Film? : Ingmar Bergman's 'Through a Glass Darkly'
505 8 $aMontage and Theatricality as Sources of Estrangement: A Tendency in Contemporary Brechtian CinemaTheatre and Film in Evolutionary Perspective; Contributors.
520 $aDespite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the sam.
588 0 $aPrint version record.
650 0 $aMotion pictures and theater.
650 7 $aPERFORMING ARTS$xTheater$xGeneral.$2bisacsh
650 7 $aMotion pictures and theater.$2fast$0(OCoLC)fst01027423
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aBecker, Becky.
700 1 $aEarnest, Steve.
700 1 $aHostetter, Anthony.
700 1 $aHostetter, Elisabeth.
700 1 $aJovanovic, Nenad.
700 1 $aMcConachie, Bruce.
700 1 $aSmith, Lawrence D.
700 1 $aSteele, Erin Bone.
700 1 $aStith, Nathan.
700 1 $aWade, Leslie A.
776 08 $iPrint version:$aCurry, J K.$tTheatre Symposium, V 19 : Theatre and Film.$dTuscaloosa : University of Alabama Press, ©2011$z9780817370060
830 0 $aTheatre Symposium Ser.
856 40 $3ebrary$uhttp://site.ebrary.com/id/10527773
856 40 $3EBSCOhost$uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420373
856 40 $3ProQuest Ebook Central$uhttps://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=835686
856 40 $uhttp://VH7QX3XE2P.search.serialssolutions.com/?V=1.0&L=VH7QX3XE2P&S=AC_T_B&C=Theatre%20and%20Film%20:%20Theatre%20and%20Film&T=marc&tab=BOOKS
938 $aProQuest Ebook Central$bEBLB$nEBL835686
938 $aEBSCOhost$bEBSC$n420373
938 $aYBP Library Services$bYANK$n7070881
029 1 $aDEBBG$bBV043032284
029 1 $aDEBBG$bBV044160925
029 1 $aDEBSZ$b421466502
994 $aZ0$bP4A
948 $hHELD BY P4A - 1407 OTHER HOLDINGS