MARC record from Internet Archive

LEADER: 05674cam 2200841 a 4500
001 ocm39672023
003 OCoLC
005 20201119165755.0
008 980728s1999 enka bq 001 0 eng
010 $a 98038139
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050 00 $aPN1995.9.S87$bR83 1999
082 00 $a791.43/6$222
084 $a24.34$2bcl
100 1 $aRubin, Martin,$d1947-
245 10 $aThrillers /$cMartin Rubin.
260 $aCambridge, UK ;$aNew York, NY, USA :$bCambridge University Press,$c1999.
300 $axiv, 319 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aGenres in American cinema
504 $aFilmography: pages 287-300.
504 $aIncludes bibliographical references (pages 269-286) and index.
505 0 $apt. I. Approaches. 1. Introduction. 2. Critical Overview. Charles Derry, Ralph Harper, Jerry Palmer: Thrillers in General. G.K. Chesterton: The Transformed City. Northrop Frye: Heroic Romance and the Low-Mimetic Mode. John G. Cawelti: The Exotic. W.H. Matthews: Mazes and Labyrinths. Pascal Bonitzer: Partial Vision. Lars Ole Sauerberg: Concealment and Protraction. Noel Carroll: The Question-Answer Model -- pt. II. Historical Overview. 3. Formative Period. Precinematic Forerunners: Fiction, Melodrama, Amusement Parks. Attraction Films and Chase Films. D.W. Griffith and the Rise of Narrative Film. Evolution of the American Serial. Louis Feuillade and the French Serial. Fritz Lang and the Thriller Metropolis. German Expressionism. Harold Lloyd and the Comedy of Thrills. Monsters of the Early 1930s. 4. Classical Period. Alfred Hitchcock and the Rise of the Spy Film. Detective Films of the 1940s. Film Noir. Semidocumentary Crime Films. Anticommunist Spy Films. The Flawed-Cop Cycle. Syndicate-Gangster Films. Science-Fiction Thrillers and Monster Movies. Hitchcock's Golden Period. 5. Modern Period. European Influences, American Censorship, and Heist Films. The French New Wave. James Bond in the 1960s. Mock-Bond and Anti-Bond. Supercops. Black Action Films. Revisionist Thrillers. Conspiracies and Other Disasters. Splatter. Stalkers. Neo-Noir -- pt. III. Film Analyses. 6. The Detective Thriller: The Kennel Murder Case (1933), The Big Sleep (1946). 7. The Psychological Crime Thriller: Strangers on a Train (1951). 8. The Spy Thriller: Man Hunt (1941). 9. The Police Thriller: The French Connection (1971). 10. Conclusion. Categorization. Hybridization. Emotionalization. Contextualization.
520 1 $a"Thrillers provides the first comprehensive, in-depth treatment of the movie thriller, from silent serials to stalker films, from Alfred Hitchcock to Quentin Tarantino, from The Great Train Robbery to L.A. Confidential. Martin Rubin's accessible, wide-ranging volume - designed to appeal to students and general filmgoers alike - shows how this visceral, supercharged genre has employed suspense, speed, and sensation to keep us on the edge of our seats throughout a century of American cinema."--Jacket.
650 0 $aThrillers (Motion pictures)$xHistory and criticism.
650 6 $aSuspense au cinéma.
650 6 $aFilms de détective$xHistoire et critique.
650 6 $aFilms d'espionnage$xHistoire et critique.
650 6 $aFilms policiers$xHistoire et critique.
650 7 $aThrillers (Motion pictures)$2fast$0(OCoLC)fst01746079
650 17 $aThrillers.$2gtt
650 17 $aFilms.$2gtt
650 7 $aThriller$2gnd
650 07 $aFilm.$2swd
650 7 $aMystery films$xHistory and criticism.$2sears
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aSuspense in motion pictures, television, etc.$2lcgft
830 0 $aGenres in American cinema.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/cam025/98038139.html
856 41 $3Table of contents$uhttp://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=3055603
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/cam029/98038139.html
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