Record ID | ia:twotreespoems0000voig |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/twotreespoems0000voig/twotreespoems0000voig_marc.xml |
Download MARC binary | https://www.archive.org/download/twotreespoems0000voig/twotreespoems0000voig_meta.mrc |
LEADER: 03270cam 2200517 i 4500
001 ocm25047565
003 OCoLC
005 20180421004659.0
008 911218t19921992nyu 001 p eng
010 $a 91046315
040 $aDLC$beng$erda$cDLC$dEXW$dBTCTA$dYDXCP$dHALAN$dRRR$dBDX$dOCLCF$dP4I$dDRU$dOCLCQ$dOCL$dOCLCO$dWLU$dDHA$dOCLCQ$dTYC$dOCLCQ
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035 $a(OCoLC)25047565$z(OCoLC)49698755
050 00 $aPS3572.O34$bT87 1992
082 00 $a811/.54$220
084 $a811.54$223
100 1 $aVoigt, Ellen Bryant,$d1943-$eauthor.
245 10 $aTwo trees :$bpoems /$cEllen Bryant Voigt.
250 $aFirst edition.
264 1 $aNew York :$bW.W. Norton & Company,$c[1992]
264 4 $c℗♭1992
300 $a64 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
505 00 $tFirst song --$tEffort at speech --$tAt the piano --$tVariations: At the piano --$tSelf-portrait at LaGuardia --$tThe harness --$tThorn-apple --$tVariations: Thorn-apple --$tTwo trees --$tThe box --$tThe innocents --$tSoft cloud passing --$tWoman who weeps --$tThe soothsayer --$tFish --$tVariations: The innocents --$tHerzenlied --$tThe pond --$tThe letters --$tGobelins --$tSong and story.
520 $aHuman character and human destiny - will and fate - these issues have always pervaded Ellen Voigt's work, giving her poems of relationship, her exploration of an individual past, rare depth and power. Now in her fourth collection, a sustained meditation infuses the work, examining the myth of self, the human compulsion to remedy or augment fortune, and the limits of "what's given and what's made from luck and will." Where will and fate collide is what chiefly occupies Voigt; and destiny, in these poems, is rarely generous. Within the structure of the collection are three sets of musical "variations"; each illuminates some aspect of the longer poems and fuses with the poet's brooding studies on beauty, art, and the instability of perception. For the first time, with Voigt, the past is neither claimed nor repudiated. Instead it is dangerously remote, incomplete, as in the title poem, where "the mind cried out/ for that addictive tree it had tasted/ and for that other, crown still visible/ over the wall."
583 1 $acommitted to retain$c20160630$d20310630$fEAST$uhttp://eastlibraries.org/retained-materials$5CtW$zThis title retained by Wesleyan University Library on behalf of the Eastern Academic Scholars Trust (EAST) print archive
650 0 $aAmerican poetry$xWomen authors.
650 7 $aAmerican poetry$xWomen authors.$2fast$0(OCoLC)fst00807417
655 7 $aPoetry$2fast$0(OCoLC)fst01423828
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