| Record ID | ia:unbailedemascara00rami |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/unbailedemascara00rami/unbailedemascara00rami_marc.xml |
| Download MARC binary | https://www.archive.org/download/unbailedemascara00rami/unbailedemascara00rami_meta.mrc |
LEADER: 01547cam 2200229 a 4500
001 96166088
003 DLC
005 20021207183737.0
008 960703s1995 mx 000 1 spa
010 $a 96166088
020 $a9681902351
040 $aDLC$cDLC$dDLC
050 00 $aPQ7519.2.R25$bB35 1995
082 00 $a863$220
100 1 $aRamírez, Sergio,$d1942-
245 13 $aUn baile de máscaras /$cSergio Ramírez.
250 $a1. ed. en México.
260 $aMéxico, D.F. :$bAguilar, Altea, Taurus, Alfaguara ;$aNew York :$bDistributed in the United States by Vintage Books,$c1995.
300 $a230 p. ;$c21 cm.
490 1 $aAlfaguara hispánica
520 1 $a"In many senses a forerunner to his Margarita, está linda la mar (see item #bi2001002161#), this is the most riskily (and pleasantly) autobiographical of Ramírez's novels so far. He writes seemingly not about himself, but rather about the adults and the world that surround a child born in 1942, like he was. A rural masked ball is the fable's center, but the message is a nostalgic view of the music and popular culture that leave a permanent imprint on the young boy. Abundantly humorous (there is a boxing match between a blasphemous singer named Quevedo and Christ), rich in dialogue and characters who move in and out of time and space, and a treatise on onomastics. The novel's seven chapters emphasize without cynicism the richness of a close family"--Handbook of Latin American Studies, v. 58.$uhttp://www.loc.gov/hlas/
830 0 $aAlfaguara hispánica (Mexico City, Mexico)