MARC record from Internet Archive

LEADER: 04529cam 2200721Ii 4500
001 ocn863077869
003 OCoLC
005 20210112201145.0
008 131115t20142014lauac bc 000 0 eng d
010 $a 2013949519
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019 $a878363949$a882575669$a1008301314
020 $a9780615878300
020 $a061587830X
035 $a(OCoLC)863077869$z(OCoLC)878363949$z(OCoLC)882575669$z(OCoLC)1008301314
043 $an-us---
050 4 $aN6538.N5$bV56x 2014
082 04 $a704.039607307476318$223
245 04 $aThe visual blues /$cedited by Natalie A. Mault ; essays by R.A. Lawson, John Lowe, Natalie A. Mault, Margaret Rose Vendryes ; with artist biographies by Lauren Barnett and Natalie A. Mault.
264 1 $aBaton Rouge :$bLSU Museum of Art,$c[2014]
264 4 $c©2014
300 $a87 pages :$billustrations (some color), portraits ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Published in conjunction with the exhibition 'The Visual Blues', presented at the LSU Museum of Art, Baton Rouge, from March 8 to July 13, 2014, and at the Telfair Museums, Savannah, from January 30 to May 3, 2015"--Colophon.
504 $aIncludes bibliographical references (pages 84-86).
505 00 $tShake that thang : dancing figures and figures that dance in African American art /$rMargaret Rose Vendryes --$tBlues, jazz, and the literature of the Harlem Renaissance /$rJohn Lowe --$tHearing the blues in the art of the Harlem Renaissance /$rR.A. Lawson --$t"Money, you've got lots of friends" : patronage in the Harlem Renaissance /$rNatalie A. Mault.
520 $aThe visual blues explores the enormous impact that blues and jazz music emanating from the Deep South and moving north had on artists associated with the Harlem Renaissance. The Visual Blues shows how the artists and musicians of the Harlem Renaissance blurred artistic boundaries, drawing inspiration from each other and contributing to each other's art forms. The art scene in Harlem from 1919 to approximately 1940 encouraged a melding of art, music, literature, and poetry, providing a creative haven and outlet for transcending hardships and shattering racial stereotypes. The visual blues features a wide range of artists, some of whom already have established reputations and art markets, and others who are under-recognized and are rarely seen publicly. The visual blues comprises sixty-four paintings, drawings, prints, photographs, and sculptures by some of the most recognized and celebrated African-American artists of the Harlem Renaissance.
650 0 $aHarlem Renaissance$vExhibitions.
650 0 $aAfrican American art$y20th century$vExhibitions.
650 0 $aMusic$xAfrican American influences$vExhibitions.
650 0 $aBlues (Music) in art$vExhibitions.
650 0 $aAfrican American artists$vBiography.
650 7 $aAfrican American artists.$2fast$0(OCoLC)fst00799017
650 7 $aAfrican American art.$2fast$0(OCoLC)fst00799012
650 7 $aBlues (Music) in art.$2fast$0(OCoLC)fst01902574
650 7 $aHarlem Renaissance.$2fast$0(OCoLC)fst00951467
650 7 $aMusic$xAfrican American influences.$2fast$0(OCoLC)fst01030276
648 7 $a1900-1999$2fast
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 4 $aExhibition catalogues.
655 7 $aExhibition catalogs.$2lcgft
700 1 $aMault, Natalie A.,$eeditor,$eauthor.
700 1 $aLawson, R. A.,$d1974-$eauthor.
700 1 $aLowe, John,$d1945-$eauthor.
700 1 $aVendryes, Margaret Rose,$d1955-$eauthor.
700 1 $aBarnett, Lauren,$eauthor.
710 2 $aLouisiana State University (Baton Rouge, La.).$bMuseum of Art,$ehost institution.
710 2 $aTelfair Museums (Savannah, Ga.),$ehost institution.
938 $aBrodart$bBROD$n108826260
938 $aBaker and Taylor$bBTCP$nBK0014027062
938 $aYBP Library Services$bYANK$n11353010
938 $aCoutts Information Services$bCOUT$n26586900
029 1 $aNZ1$b15691129
029 1 $aUKMGB$b016654372
029 1 $aAU@$b000061598994
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 240 OTHER HOLDINGS