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LEADER: 03761cam a2200397 a 4500
001 6608238
005 20220406093414.0
008 080418s2008 iaua b s001 0 eng
010 $a 2007936977
035 $a(OCoLC)ocn179836448
040 $aDLC$beng$cDLC$dBTCTA$dBAKER$dYDXCP$dSUC$dIUL$dIAY$dNDD$dUBY$dUBF$dGEBAY$dBDX$dDEBBG$dOCLCF$dOCLCQ$dUAB$dNYP$dREB$dUWO$dNJT$dOCLCO$dOCLCQ$dOCLCA$dOCLCO
019 $a977664240$a1013312690$a1029390689$a1034137110$a1041471098$a1041552975$a1041906821$a1041909399$a1049140877$a1051627005$a1055467915$a1059820017$a1065409158
020 $a9781587296383$q(cloth ;$qacid-free paper)
020 $a1587296381$q(cloth ;$qacid-free paper)
035 $a(OCoLC)179836448$z(OCoLC)977664240$z(OCoLC)1013312690$z(OCoLC)1029390689$z(OCoLC)1034137110$z(OCoLC)1041471098$z(OCoLC)1041552975$z(OCoLC)1041906821$z(OCoLC)1041909399$z(OCoLC)1049140877$z(OCoLC)1051627005$z(OCoLC)1055467915$z(OCoLC)1059820017$z(OCoLC)1065409158
050 00 $aPS3238$b.W377 2008
082 00 $a811/.3$222
049 $aZCUA
245 00 $aWalt Whitman, where the future becomes present /$cedited by David Haven Blake and Michael Robertson.
250 $a1st ed.
260 $aIowa City :$bUniversity of Iowa Press,$c©2008.
300 $a188 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe Iowa Whitman series
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction: Loos'd of limits and imaginary lines /$rDavid Haven Blake$gand$rMichael Robertson --$tThe visionary Whitman /$rDavid Lehman --$tEpic and lyric: the Aegean, the Nile, and Whitman /$rWai Chee Dimock --$tWalt Whitman and the poetics of reprinting /$rMeredith L. McGill --$t"Debris," creative scatter, and the challenge of editing Whitman /$rKenneth M. Price --$tCivil War religion and Whitman's Drum-taps /$rMichael Warner --$tWalt Whitman's song of democracy /$rBenjamin R. Barber --$tThe twentieth-century artistic reception of Whitman and Melville /$rAngela Miller --$tSo long, so long! Walt Whitman, Langston Hughes, and the art of longing /$rEd Folsom --$tWhitman and the idea of infinity /$rJames Longenbach --$tWalt Whitman, Latino poet /$rKirsten Silva Gruesz.
520 1 $a"Whitman's poetry is full of places where he directly addresses his future readers, acknowledges the time span between them, then shrugs it off. "The greatest poet," he writes in his preface to Leaves of Grass, "places himself where the future becomes present." By celebrating the complex legacy of Leaves of Grass, the ten essayists in this spirited collection affirm the truth of its premise: "Past and present and future are not disjoined but joined."" "Walt Whitman, Where the Future Becomes Present invigorates Whitman studies by garnering insights from a diverse group of writers and intellectuals. Writing from the perspectives of art history, political theory, creative writing, and literary criticism, the contributors place Whitman in the center of both world literature and American public life. The volume is especially notable for being the best example yet published of what the editors call the New Textuality in Whitman studies, an emergent mode of criticism that focuses on the different editions of Whitman's poems as independent works of art."--BOOK JACKET.
600 10 $aWhitman, Walt,$d1819-1892$xCriticism and interpretation.
600 17 $aWhitman, Walt,$d1819-1892.$2fast$0(OCoLC)fst00039575
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aBlake, David Haven.
700 1 $aRobertson, Michael$c(Professor of English)
830 0 $aIowa Whitman series.
852 00 $bglx$hPS3238$i.W375 2008g