MARC record from Internet Archive

LEADER: 05857cam 2200829Ma 4500
001 ocm44955024
003 OCoLC
005 20180907183253.0
008 000816s1995 enka obq 001 0 eng d
006 m o d
007 cr cn|||||||||
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082 04 $a791.43/0941$220
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100 1 $aHigson, Andrew.
245 10 $aWaving the flag :$bconstructing a national cinema in Britain /$cAndrew Higson.
260 $aOxford :$bClarendon Press,$c1995.
300 $a1 online resource (xii, 322 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 299-315) and index.
504 $aFilmography: pages 295-298.
520 $aWhat does it mean to speak of a 'national' cinema? To what extent can British cinema, dominated for so many years by Hollywood, be considered a national cinema? Waving the Flag investigates these questions from a historical point of view, and challenges many of the received wisdoms of British cinema history. Drawing some revealing conclusions about the extent to which the many rich traditions of British film-making share the same distinctive stylistic and ideological characteristics, what emerges is a sometimes surprising picture of a specifically national cinema. Andrew Higson investigates theories of national cinema, and surveys the development of the British film industry and film culture. Three case studies combine histories of production and reception with textual analysis of key films from the 1920s, 1930s, and 1940s. Focusing on Cecil Hepworth's Comin' Thro' The Rye, the first of these looks at the evolution of an art cinema in the early 1920s. Two popular musical comedies of 1934, Sing As We Go and Evergreen, are then contrasted as the products of two quite distinct industrial strategies for coping with the overwhelming presence of Hollywood. Finally, the author reexamines the status of the documentary idea in British national cinema and looks at its influence on two Second World War films, Millions Like Us and This Happy Breed.
505 0 $aBritish film culture and the idea of national cinema -- The Heritage Film, British cinema, and the national past: Comin' Thro' The Rye -- Economic competition and product differentiation-popular cinema and the film industry in the mid-1930s: Sing As We Go and Evergreen -- The documentary idea and the melodrama of everyday life-the public, the private, and the national family: Millions Like Us and This Happy Breed -- Constructing a national cinema in Britain: some conclusions.
588 0 $aPrint version record.
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650 0 $aMotion pictures$zGreat Britain$xHistory.
650 6 $aCine ma$zGrande-Bretagne$xHistoire.
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
650 17 $aFilmkunst.$2gtt
651 7 $aGro©britannien$2gnd
650 07 $aFilm.$2swd
653 0 $aCinema$aFilms (Motion pictures)$aHistory
653 0 $aGreat Britain
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aHigson, Andrew.$tWaving the flag.$dOxford : Clarendon Press, 1995$z0198742290$w(DLC) 94030577$w(OCoLC)30894711
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