MARC record from Internet Archive

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001 ocm48153567
003 OCoLC
005 20191109072149.1
008 010725s2002 caua b 001 0deng
010 $a 2001044408
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050 00 $aML3508$b.P67 2002
082 00 $a781.65/089/96073$221
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084 $aLS 48100$2rvk
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084 $a9,2$2ssgn
049 $aMAIN
100 1 $aPorter, Eric$q(Eric C.)
245 10 $aWhat is this thing called jazz? :$bAfrican American musicians as artists, critics, and activists /$cEric Porter.
260 $aBerkeley, Calif. :$bUniversity of California Press,$c©2002.
300 $axxi, 404 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMusic of the African diaspora ;$v6
504 $aIncludes bibliographical references (pages 337-382) and index.
505 0 $aA marvel of paradox : jazz and African American modernity -- Dizzy atmosphere : the challenge of bebop -- Passions of a man : the poetics and politics of Charles Mingus -- Straight ahead : Abbey Lincoln and the challenge of jazz singing -- Practicing "creative music" : the black arts imperative in the jazz community -- Writing "creative music" : theorizing the art and politics of improvisation -- The majesty of the blues : Wynton Marsalis's jazz canon.
520 $aDespite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s the emergence of bebop the political and experimental projects of the 1950s, 1960s and 1970s and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aJazz$xHistory and criticism.
650 0 $aAfrican American jazz musicians.
650 0 $aAfrican Americans$xIntellectual life$y20th century.
650 6 $aJazz$xHistoire et critique.
650 6 $aMusiciens de jazz noirs américains.
650 6 $aNoirs américains$xVie intellectuelle$y20e siècle.
650 7 $aAfrican American jazz musicians.$2fast$0(OCoLC)fst00799208
650 7 $aAfrican Americans$xIntellectual life.$2fast$0(OCoLC)fst00799627
650 7 $aJazz.$2fast$0(OCoLC)fst00982165
650 17 $aJazz.$2gtt
650 7 $aGeschichte$2gnd
650 7 $aJazz$2gnd
650 7 $aSchwarze$2gnd
651 7 $aUSA$2gnd
651 7 $aUSA.$2swd
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aMusic of the African diaspora ;$v6.
856 41 $3ebrary$uhttp://site.ebrary.com/id/10050795
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ucal041/2001044408.html
856 41 $uhttp://site.ebrary.com/lib/stanford/Doc?id=10050795$xeLoaderURL$xeb4$xebebr10050795$zAvailable to Stanford-affiliated users at
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/bios/ucal052/2001044408.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/ucal042/2001044408.html
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