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MARC record from Internet Archive

LEADER: 02460cam a2200613 i 4500
001 15095677
005 20220423232739.0
006 m o d
007 cr cnu---unuuu
008 140102s2000 ne ob 001 0 eng d
035 $a(OCoLC)ocn867049919
035 $a(NNC)15095677
040 $aN$T$beng$erda$epn$cN$T$dOCLCO$dOCLCF$dYDXCP$dOCLCQ$dOCL$dOCLCA$dK6U$dOCLCO$dOCLCQ$dOCLCO
020 $a9781134429899$q(electronic bk.)
020 $a1134429894$q(electronic bk.)
020 $z9057551160
020 $z9789057551161
035 $a(OCoLC)867049919
043 $ae-uk---$ae-uk-en
050 4 $aPN1707$b.W54 2000eb
072 7 $aPER$x011000$2bisacsh
082 04 $a792.015$222
049 $aZCUA
245 00 $aWho keeps the score on the London stages? /$c[editor], Kalina Stefanova.
264 1 $aAmsterdam, The Netherlands :$bHarwood Academic,$c2000.
300 $a1 online resource (xi, 217 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aContemporary theatre studies,$x1049-6513 ;$vvolume 36
500 $aIncludes index.
588 0 $aPrint version record.
650 0 $aDramatic criticism$zGreat Britain.
650 0 $aTheater critics$zGreat Britain$vInterviews.
650 0 $aTheater$zEngland$zLondon$xHistory$y20th century.
650 6 $aCritique dramatique$zGrande-Bretagne.
650 6 $aCritiques de théâtre$zGrande-Bretagne$vEntretiens.
650 6 $aThéâtre$zAngleterre$zLondres$xHistoire$y20e siècle.
650 7 $aPERFORMING ARTS$xTheater$xGeneral.$2bisacsh
650 7 $aDramatic criticism.$2fast$0(OCoLC)fst00897541
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
650 7 $aTheater critics.$2fast$0(OCoLC)fst01149336
651 7 $aEngland$zLondon.$2fast$0(OCoLC)fst01204271
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
650 7 $aTheaterkritik$2gnd
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
700 1 $aStefanova, Kalina,$d1962-
776 08 $iPrint version:$tWho keeps the score on the London stages?$z9057551160$w(DLC) 2002421075$w(OCoLC)44805397
830 0 $aContemporary theatre studies ;$vvolume 36.$x1049-6513
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15095677$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS