MARC record from Internet Archive

LEADER: 04404cam 22007331 4500
001 ocm00241801
003 OCoLC
005 20200506205905.0
008 740213s1964 ilubfh b 000 0 eng
010 $a 64013950
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016 $a(AMICUS)000001074653
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043 $ae-uk-en
050 00 $aPR4147$b.H25
082 00 $a821.7
084 $aHL 1925$2rvk
100 1 $aHagstrum, Jean H.
245 10 $aWilliam Blake, poet and painter:$ban introduction to the illuminated verse,$cby Jean H. Hagstrum.
260 $aChicago,$bUniversity of Chicago Press$c[1964]
300 $axi, 156 pages$b80 plates (including facsimiles, map)$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
505 0 $aBlake's form -- The art of illumination -- Ideal art and the high Renaissance -- The emblem -- Illustration: Blake and his contemporaries -- Innocence and experience -- Revolutionary art -- Prophecies major and minor -- Illustrations: the book of Job -- Poet-painter.
520 $aThis pioneer study of William Blake is based on the author's contention that Blake intertwined painting and poetry so successfully that they cannot well be separated. Mr. Hagstrum reveals the intimate relation of Blake's designs, borders, scenes, and colors to the poems they accompany. Beginning with the earliest tiny line engravings -- works produced shortly before the famous "Songs of Innocence" -- and ending with that late masterpiece, the illustrations for the Book of Job, Mr. Hagstrum analyzes all of Blake's major works. His unusual but important method of studying Blake alerts the reader to all the elements of the poet-painter's form. Blake's work is set in context by chapters on medieval illumination, on the art of the High Renaissance, on the emblem of the seventeenth century, and on Blake's own contemporaries. The many illustrations Mr. Hagstrum has chosen include some of the works of Dürer, Raphael, and others who inspired Blake. -- From publisher's description.
600 10 $aBlake, William,$d1757-1827$xCriticism and interpretation.
650 0 $aArt and literature$zEngland$xHistory$y18th century.
650 0 $aArt and literature$zEngland$xHistory$y19th century.
650 0 $aIllumination of books and manuscripts, English.
650 0 $aPoetry$vIllustrations.
600 11 $aBlake$bWilliam$xLyrik.
600 14 $aBlake, William,$d1757-1827$xCriticism and interpretation.
600 17 $aBlake, William,$d1757-1827.$2fast$0(OCoLC)fst00029047
650 7 $aArt and literature.$2fast$0(OCoLC)fst00815400
650 7 $aIllumination of books and manuscripts, English.$2fast$0(OCoLC)fst00967283
650 7 $aPoetry.$2fast$0(OCoLC)fst01067691
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
600 17 $aBlake, William$d1757-1827$2gnd
650 7 $aLyrik$2gnd
600 17 $aBlake, William.$2swd
648 7 $a1700-1899$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aIllustrated works.$2fast$0(OCoLC)fst01423873
710 2 $aMazal Holocaust Collection.$5TxSaTAM
776 08 $iOnline version:$aHagstrum, Jean H.$tWilliam Blake, poet and painter.$dChicago, University of Chicago Press [1964]$w(OCoLC)576201176
776 08 $iOnline version:$aHagstrum, Jean H.$tWilliam Blake, poet and painter.$dChicago, University of Chicago Press [1964]$w(OCoLC)609923293
938 $aBrodart$bBROD$n22745203$c$9.00
938 $aBaker and Taylor$bBTCP$n64013950
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029 1 $aNLC$b000001074653
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 1120 OTHER HOLDINGS