| Record ID | marc_cca/b10621386.out:49802878:1419 |
| Source | marc_cca |
| Download Link | /show-records/marc_cca/b10621386.out:49802878:1419?format=raw |
LEADER: 01419cam 22003374a 4500
001 47225020
003 OCoLC
005 20070316140456.0
008 010627s2001 caua b 000 0 eng
010 $a2001042949
020 $a1879505622 (alk. paper)
020 $a9781879505629 (alk. paper)
035 $a(OCoLC)47225020
040 $aDLC$cDLC$dYDX$dUBA$dBAKER$dBUR$dBTCTA$dYDXCP
042 $apcc
049 $aCC9M
050 00 $aTR899$b.M87 2001
100 1 $aMurch, Walter,$d1943-
245 10 $aIn the blink of an eye :$ba perspective on film editing /$cWalter Murch.
250 $a2nd ed.
260 $aLos Angeles :$bSilman-James Press,$cc2001.
300 $axiv, 146 p. :$bill. ;$c22 cm.
504 $aIncludes bibliographical references.
505 0 $aCuts and shadow cuts -- Why do cuts work? -- "Cut out the bad bits" -- Most with the least -- The rule of six -- Misdirection -- Seeing around the edge of the frame -- Dreaming in pairs -- Team work : multiple editors -- The decisive moment -- Methods and machines : marble and clay -- Test screenings : referred pain -- Don't worry, it's only a movie -- Dragnet -- A galaxy of winking dots -- Afterword: Digital film editing : past, present, and imagined future.
650 0 $aMotion pictures$xEditing.
907 $a.b10576034$bmn $c-
902 $a081029
998 $b1$c070316$dm$ea$f-$g0
945 $lmnst
945 $lmnun
945 $lmnun