| Record ID | marc_cca/b10621386.out:52289924:1957 |
| Source | marc_cca |
| Download Link | /show-records/marc_cca/b10621386.out:52289924:1957?format=raw |
LEADER: 01957cam 2200313 a 4500
001 32590494
003 OCoLC
005 20071214134241.0
008 950511s1995 miua b s001 0 eng
010 $a95020032
020 $a0814325602 (pbk. : alk. paper)
020 $a9780814325605 (pbk. : alk. paper)
035 $a(OCoLC)32590494
040 $aDLC$cDLC$dBUF$dNLGGC$dBTCTA$dYDXCP
043 $ae-gx---
049 $aCC9M
050 00 $aPN1993.5.G3$bS54 1995
100 1 $aSilberman, Marc,$d1948-
245 10 $aGerman cinema :$btexts in context /$cMarc Silberman.
260 $aDetroit :$bWayne State University Press,$cc1995.
300 $axvii, 322 p. :$bill. ;$c23 cm.
440 0 $aContemporary film and television series.
504 $aIncludes bibliographical references (p. 299-311) and index.
505 0 $aSpecular presence and historical revolution : Ernst Lubtsch's Passion -- The modernist camera and cinema illusion : Friedrich Wilhelm Murnau's The last laugh -- The rhetoric of the image : Slatan Dudov and Bertolt Brecht's Kuhle Wampe or Who owns the world? -- Probing the limits : Detlef Sierck's To new shores -- The fascist discourse : Eduard von Borsody's Request concert -- The illusion of escapism : Helmut Kautner's Romance in a minor key -- The discourse of powerlessness : Wolfgang Staudte's Rotation -- The return of the familiar : Hans Deppe's Black forest girl -- Privatizing the past : Georg Wilhelm Pabst's The last ten days -- The authenticity of autobiography : Konrad Wolf's I was nineteen -- Discipline and gender : Hermann Zschoche's On probation -- Beyond spectacle : Alexander Kluge's Artists under the big top: Perplexed -- The subject of identity : Margarethe von Trotta's Marianne and Juliane -- The archaeology of the present : Wim Wenders's Paris, Texas.
650 0 $aMotion pictures$zGermany$xHistory.
907 $a.b10597116$bmn $c-
902 $a080709
998 $b1$c071214$dm$ea$f-$g0
945 $lmnst