| Record ID | marc_cca/b10621386.out:55160609:1817 |
| Source | marc_cca |
| Download Link | /show-records/marc_cca/b10621386.out:55160609:1817?format=raw |
LEADER: 01817cam 2200361Ia 4500
001 36162480
003 OCoLC
005 20081104181731.0
008 970106s1996 ne b 000 0 eng d
020 $a9057010216 (softcover)
020 $a9057010313 (hardcover)
020 $a9789057010316 (hardcover)
020 $a9789057010217 (softcover)
035 $a(OCoLC)36162480 $z(OCoLC)36173545
040 $aOSU$cOSU$dOCLCQ$dBAKER$dNLGGC$dYDXCP$dLVB$dUV0
049 $aCC9M
050 4 $aN70$b.M535 1996
100 1 $aMelville, Stephen W.
245 10 $aSeams :$bart as a philosophical context /$cessays by Stephen Melville ; edited and introduced by Jeremy Gilbert-Rolfe.
260 $aAmsterdam :$bG+B Arts,$c1996.
300 $a239 p. ;$c24 cm.
440 0 $aCritical voices in art, theory and culture.
504 $aInclude bibliographical references (p. 213-239).
505 0 $aRobert Smithson: "a literalist of the imagination" -- Description -- Aesthetic detachment: review of Jacques Derrida, The truth in painting -- Positionality, objectivity, judgment -- Psychoanalysis and the place of Jouissance -- Division of the gaze, or remarks on the color and tenor of contemporary "theory" -- Color has not yet been named: objectivity in deconstruction -- Notes on the reemergence of allegory, the forgetting of modernism, the necessity of rhetoric, and the conditions of publicity in art and criticism -- Compelling acts, haunting convicitions -- Painting out asunder: moments lucid and opaque like Turner's sun and Cindy Sherman's face.
650 0 $aArt$xPhilosophy.
650 0 $aArt$xHistory.
650 0 $aArt historians.
600 10 $aMelville, Stephen W.
700 1 $aGilbert-Rolfe, Jeremy.
907 $a.b10620503$bmn $c-
902 $a081107
998 $b1$c081107$dm$ea$f-$g0
945 $lmnst