It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_claremont_school_theology

Record ID marc_claremont_school_theology/CSTMARC1_barcode.mrc:127146064:11346
Source marc_claremont_school_theology
Download Link /show-records/marc_claremont_school_theology/CSTMARC1_barcode.mrc:127146064:11346?format=raw

LEADER: 11346cam a2201141 a 4500
001 ocm08805576
003 OCoLC
005 20200617074654.4
008 820911m19821993mau b 001 0 eng
010 $a 82178982
040 $aDLC$beng$cDLC$dBAKER$dNLGGC$dBTCTA$dLVB$dYDXCP$dCOF$dMUU$dVXM$dIXA$dTXJ$dZWZ$dGEBAY$dBNM$dBDX$dUWT$dOCLCO$dOCLCF$dOCLCQ$dOCLCO$dZFT$dTTUSC$dOCLCQ$dFIE$dDHA$dGILDS$dOCLCO$dORU$dOCL$dQE2$dUKUOY$dOCLCQ$dCBA$dTYC$dOCLCO$dAZM$dOCLCO$dGZN$dOCLCO$dGZW$dOCLCO$dS2H$dOCLCA
016 7 $abimoBNE19931174452$2SpMaBN
019 $a8383484$a32021731$a318433609$a908106372$a1019666535
020 $a0674991575$q(v. 1)
020 $a9780674991576$q(v. 1)
020 $a0674991583$q(v. 2)
020 $a9780674991583$q(v. 2)
020 $a0674995252$q(v. 3)
020 $a9780674995253$q(v. 3)
020 $a0674995082$q(v. 4)
020 $a9780674995086$q(v. 4)
020 $a0674995597$q(v. 5)
020 $a9780674995598$q(v. 5)
020 $a0434991422
020 $a9780434991426
029 1 $aAU@$b000002295088
029 1 $aBNM$bbimo0000386307
029 1 $aGEBAY$b21372
029 1 $aHR0$b0434991422
029 1 $aNZ1$b2671373
029 1 $aUKBCI$b005169852
029 1 $aUKBNS$b005169852
029 1 $aUKDEL$b005169852
029 1 $aUKSCO$b005169852
029 1 $aUKSGC$b005169852
029 1 $aUKSOM$b005169852
029 1 $aUNITY$b005169852
029 1 $aZWZ$b022924086
035 $a(OCoLC)08805576$z(OCoLC)8383484$z(OCoLC)32021731$z(OCoLC)318433609$z(OCoLC)908106372$z(OCoLC)1019666535
041 1 $aeng$agrc$hgrc
050 00 $aPA3622$b.C3 1982
082 00 $a884/.01/08$219
084 $a18.43$2bcl
084 $a880
049 $aMAIN
245 00 $aGreek lyric /$cedited and translated by David A. Campbell.
260 $aCambridge, Mass. :$bHarvard University Press ;$aLondon :$bW. Heinemann,$c1982-1993.
300 $a5 volumes ;$c17 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe Loeb classical library ;$v142, 143, 144, 461, 476
500 $aText in Greek with translation in English.
504 $aIncludes bibliographical references and indexes.
505 0 $av. 1. Sappho and Alcaeus -- v. 2. Anacreon, Anacreontea, Choral lyric from Olympus to Alcman -- Preface -- Introduction: Anacreon, Anacreontea -- Select bibliography -- Anacreon: Testimonia -- Text -- Anacreontea -- Comparative numeration -- Introduction: Choral lyric poetry -- Select bibliography -- Olympus : Testimonia -- Eumelus: Testimonia -- Text -- Terpander Testimonia -- Text -- Polymnestus: Testimonia -- Alcman: Testimonia -- Text -- Comparative numeration -- Index of authors and sources -- General index -- v. 3. Stesichorus, Ibycus, Simonides, and others -- Introduction -- Select bibliography -- Arion -- Xanthus -- Stesichorus -- Testimonia -- Text -- Echembrotus -- Sacadas -- Ibycus -- Testimonia -- Text -- Apollodorus -- Lasus -- Testimonia -- Text -- Tynnichus -- Lamprus -- Pratinas -- Testimonia -- Text -- Cydias -- Simonides -- Testimonia -- Text -- Comparative numeration -- Indexes -- v. 4. Bacchylides, Corinna, and others -- Introduction -- Select bibliography -- Myrtis -- Corinna -- Testimonia -- Text -- Telesilla -- Testimonia -- Text -- Timocreon -- Testimonia -- Text -- Charixena -- Bacchylides -- Testimonia -- Victory-odes -- Dithyrambs -- Fragments -- Lmprocles -- Testimonia -- Text -- Cedeides -- Sophocles -- Diagoras -- Testimonia -- Text -- Ion of Chios -- Testimonia -- Text -- Praxilla -- Testimonia -- Text -- Euripides -- Comparative numeration -- Indexes -- v. 5. The new school of poetry and anonymous songs and hymns -- Introduction -- Select bibliography -- Melanippides -- Testimonia -- Text -- Pronomus -- Licymnius -- Testimonia -- Text -- Phrynis -- Timotheus -- Testimonia -- Text -- Telestes -- Testimonia -- Text -- Ariphron -- Philoxenus of Cythera -- Testimonia -- Text -- Philoxenus of Leucas -- Testimonia -- Text -- Polyidus -- Testimonia -- Text -- Cleomenes -- Lamynthius -- Oeniades -- Stesichorus II -- Aristotle -- Testimonia -- Text -- Lycophronides -- Castorion -- Hermolochus -- Folk songs -- Scolia (drinking songs) -- Anonymous fragments -- Comparative numeration -- Indexes.
530 $aAlso issued online.
520 $aThe four volumes of Greek Lyric contain the surviving fragments of solo song and choral song. This poetry was not preserved in medieval manuscripts and few complete poems remain. Later writers quoted from the poets, but only so much as suited their needs; these book-quotations are supplemented by papyrus texts found in Egypt, most of them badly damaged. The high quality of what remains makes us realize the enormity of our loss. Volume One contains the poetic fragments of the two illustrious singers of early sixth-century Lesbos: Sappho, the most famous woman poet of antiquity, whose main theme was love; and Alcaeus, poet of wine, war, and politics, and composer of short hymns to the gods. Also included are the principal testimonia -- the ancients' reports about the lives and work of the two poets. -- JACKET.
520 $aVolume Two concludes solo lyric with Anacreon (and the Anacreontea, here given special attention) and covers choral lyric from Olympus to Alcman, including Eumelus and Terpander. Comprehensive testimonia are given, as also all papyris fragments which yield adequate sense. Bibliographies, concordance-tables, an index of names and sources, and a general index are included.
520 $aThe most important poets writing in Greek in the sixth century BC came from Sicily and southern Italy. Stesichorus was called by ancient writers "most Homeric"--A recognition of his epic themes and noble style. He composed verses about the Trojan War and its aftermath, the Argonauts, the adventures of Heracles. He may have been a solo singer, performing these poems to his own cithara accompaniment. Ibycus probably belonged to the colony of Rhgium in southwestern Italy. Like Stesichorus he wrote lyrical narratives on mythological themes, but he also composed erotic poems. Simonides is said to have spent his later years in Sicily. He was in Athens at the time of the Persian Wars, though, and was acclaimed for his epitaph of the Athenians who died at Marathon. He was a successful poet in various genres, including victory odes, dirges, and dithyrambic poetry. The power of his pathos emerges in the fragments we have here. All the extant verse of these poets is given in this third volume of David Campbell's edition of Greek lyric poetry along with the ancients' accounts of their lives and works. Ten contemporary poets are also included among them Arion, Lasus, and Pratinas.
520 $aBacchylides, nephew of Simonides and rival of Pindar, wrote choral poetry of many types. We have a number of his victory odes -- poems celebrating victories in athletic contests -- as well as dithyrambs and otehr hymns. He was a master of the captivating narrative. Also represented in this volume is the Boeotian Corinna, whose work, versions of local myths, survives in greater quantity than that of any other Greek Poetess except Sappho. Ancient authorities regard Corinna as an older contemporary and mentor of Pindar; but some modern scholars place her later in the third century BC. Other women are here too: Myrtis, also from Boeotia; Telesilla of Argos, famous for her military leadership as well as her hymns; the shadowy Charixena; and Praxilla of Sicyoon, author of choral poems and drinking songs. David Campbell gives all the extant verse of these poets, along with the anceints accounts of their lives and works. This fourth volume of his much-praised edition of Greek lyric poetry also includes Timocreon of Rhodes, pentathlete and wirter of invective; Diagoras of Melos, choral poet and alleged atheist; and Ion of Chios. Sophocles is represented by fragments of his paean Ascelpius, Euripides by the few surviving lines of his ode for Alcibiades' dazzling victory in the chariot race at Olympia.
520 $aTowards the end of the fifth century B.C. Aristophanes and the otehr writers of comedy used contemporary poets and musicians as targets for their jokes, making fun of their innovations in language and music. The dithyrambs of Melanippides, Cinesias, Phrynis, Timotheus, and Philoxenus are remarkable examples of this new style. The poets of the new school, active from the mid-fifth to the mid-fourth century, are presented in this final volume of David Campbell's widely praised edition of Greek lyric poetry. The longest piece extant is a nome by Timotheus -- the foremost of these poets -- called The Persians; it is a florid account of the battle of Salamis, to be sung solo to cithara accompaniment. This volume also collects folk songs, drinking songs, and other anonymous pieces. The folk songs come from many parts of Greece and include children's ditties, marching songs, love songs, and snatches of culllt poetry. The drinking songs are derived mainly from Athenaeus' collection of Attic scolia, short pieces performed at after-dinner drinking parties in Athens. The anonymous pieces come from papyrus, vases, and stone as well as from literary textsssssss, and include hymns, narrative poetry, and satirical writing. -- JACKET.
546 $aText in Greek with translation in English.
590 $bArchive
650 0 $aGreek poetry$vTranslations into English.
650 0 $aGreek poetry.
650 1 $aGreek poetry$xTranslations into English.
650 2 $aEnglish poetry$xTranslations from Greek.
650 6 $aPoésie grecque$vAnthologies.
650 6 $aPoésie grecque$vAnthologies$vTraductions anglaises.
650 7 $aPoesías griegas.$2embne
650 7 $aGreek poetry.$2fast$0(OCoLC)fst00947503
650 7 $aLyrik$2gnd
650 17 $aGedichten.$2gtt
650 17 $aGrieks.$2gtt
650 17 $aKlassieke oudheid.$2gtt
650 7 $aPoésie grecque$xAnthologies.$2ram
650 07 $aAnthologie.$2swd
651 7 $aGriechisch.$2swd
655 4 $aTranslations into English.
655 7 $aPoetry.$2fast$0(OCoLC)fst01423828
655 7 $aTranslations.$2fast$0(OCoLC)fst01423791
655 7 $aPoetry.$2lcgft
700 1 $aCampbell, David A.$4edt$4trl
776 08 $iOnline version:$tGreek lyric.$dCambridge, Mass. : Harvard University Press ; London : W. Heinemann, 1982-1993$w(OCoLC)557720769
776 08 $iOnline version:$tGreek lyric.$dCambridge, Mass. : Harvard University Press ; London : W. Heinemann, 1982-1993$w(OCoLC)606416548
830 0 $aLoeb classical library ;$v142, 143, 144, 461, 476.
856 41 $uhttp://ezproxy.eui.eu/login?url=http://www.loebclassics.com$zFull-text on Loeb Classical Library
938 $aBaker & Taylor$bBKTY$c24.00$d24.00$i0674991575$n0000710118$sactive
938 $aBaker & Taylor$bBKTY$c24.00$d24.00$i0674991583$n0001580095$sactive
938 $aBrodart$bBROD$n43663796$c$16.95
938 $aBaker and Taylor$bBTCP$n82178982 //r942
938 $aYBP Library Services$bYANK$n538998
938 $aYBP Library Services$bYANK$n539028
938 $aYBP Library Services$bYANK$n539014
938 $aYBP Library Services$bYANK$n538673
938 $aYBP Library Services$bYANK$n538672
994 $a92$bCST
976 $a10011379843