MARC Record from marc_claremont_school_theology

LEADER: 03801cam a2200529 i 4500
001 ocm04121116
003 OCoLC
005 20200617074231.3
008 780712s1978 nyuaf b 001 0 eng
010 $a 77092752
040 $aDLC$beng$cDLC$dOCLCG$dSTF$dNLE$dVVW$dDEBBG$dTULIB$dGDC$dOCLCO$dOCLCF$dOCLCQ$dWUW$dOCL$dOCLCO$dOCLCA$dOCLCQ$dPAU$dOCLCQ$dOCLCA$dNJR$dOCLCO$dXFF$dOCLCA
019 $a993314456$a1081071102
020 $a0155469231
020 $a9780155469235
029 1 $aAU@$b000001227970
029 1 $aAU@$b000012406031
029 1 $aDEBBG$bBV008663629
029 1 $aHEBIS$b23508316X
029 1 $aNLGGC$b785152334
029 1 $aNZ1$b2711276
029 1 $aUNITY$b074837303
035 $a(OCoLC)04121116$z(OCoLC)993314456$z(OCoLC)1081071102
050 00 $aPN1655$b.K4 1978
082 00 $a792/.09$218
084 $aAP 63500$2rvk
049 $aMAIN
100 1 $aKernodle, George R.$q(George Riley),$d1907-1988.
245 10 $aInvitation to the theatre /$cGeorge Kernodle, Portia Kernodle.
250 $aBrief 2d ed.
260 $aNew York :$bHarcourt Brace Jovanovich,$c©1978.
300 $aix, 370 pages, 4 unnumbered leaves of plates :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 343-351) and index.
505 0 $aPrologue : What is theatre? -- pt. 1. The theatre of exaltation : Greek tragedy. The tragic vision -- The classic age of tragedy -- Greek tragedy on the modern stage -- The modern festival theatre -- pt. 2. The theatre of exaltation : from medieval drama to modern tragedy. Christian drama of the Middle Ages -- Tragedy in sixteenth-century England -- Neoclassic tragedy -- Modern tragedy -- pt. 3. The theatre of laughter : farce and high comedy. The ways of comedy -- Traditions of comedy -- Farce, or 'low' comedy -- High comedy -- pt. 4. The theatre of romance. Development of the romantic ideals -- Romance in the modern theatre -- Grand opera -- Romantic dance -- The musical -- A picture stage for romance -- Romance as psychological structure -- pt. 5. The theatre of realism. The philosophy of naturalism -- Champions of strong realism -- Impressionism : muted realism --New theatres and a new acting method -- Factual realism on screen and stage -- Film realism after World War II -- Realism on the television screen -- pt. 6. Realism transformed. Theatrical blends -- Selected realism -- Stylized realism -- Oriental realism -- Epic realism -- The persistence of realism and naturalism -- pt. 7. The theatre of disruption. Symbolism and the inner drama -- Expressionism -- Existentialism in the theatre -- The theatre of the absurd -- Promise of reconstruction -- pt. 8. A liberated theatre. The youth rebellion -- Black liberation -- Some avant-garde groups -- Some results of the liberation -- Dance in contemporary theatre -- Recovery of the past -- A theatre of complexity -- pt. 9. Planning the production. Convention and style -- Structure and texture -- pt. 10. Rehearsal and performance. Director and actor -- Actor and audience -- pt. 11. Design for the theatre. The setting -- Four methods of design -- The costumes -- The lighting -- Epilogue : The pleasure of your company.
590 $bArchive
650 0 $aDrama.
650 0 $aTheater.
650 7 $aDrama.$2fast$0(OCoLC)fst00897468
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
655 7 $aDrama.$2fast$0(OCoLC)fst01423879
655 7 $aDrama.$2lcgft
700 1 $aKernodle, Portia,$eauthor.
776 08 $iOnline version:$aKernodle, George Riley, 1907-$tInvitation to the theatre.$bBrief 2d ed.$dNew York : Harcourt Brace Jovanovich, ©1978$w(OCoLC)647078341
994 $a92$bCST
976 $a10011401728