| Record ID | marc_claremont_school_theology/CSTMARC1_multibarcode.mrc:160778033:4801 |
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LEADER: 04801cam a2200649 i 4500
001 ocm15518291
003 OCoLC
005 20200617075552.3
008 870327s1987 ctua b 001 0 eng
010 $a 87008200
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043 $aa------$af------
050 00 $aN6260$b.G69 1987
082 00 $a709/.17/671$219
084 $a20.50$2bcl
049 $aMAIN
100 1 $aGrabar, Oleg,$eauthor.
245 14 $aThe formation of Islamic art /$cOleg Grabar.
250 $aRevised and enlarged edition.
264 1 $aNew Haven :$bYale University Press,$c©1987.
300 $axix, 232 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 217-226) and index.
505 00 $tThe problem --$tThe land of early Islam --$tThe symbolic appropriation of the land --$tIslamic attitudes towards the arts --$tIslamic religious art : the mosque --$tSecular art : palace and city --$tThe art of the court --$tThe art of the city --$tEarly Islamic decoration : the idea of an arabesque --$tThe formation of Islamic art --$tPostscriptum : twelve years later --$tHistory and chronology --$tTheory and interpretation --$tPast and present --$gAppendix :$tchronology of the early Muslim world.
520 $aThis classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. Reviews of the first edition: "Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. . . [He] explains that Islamic art is woven from the threads of an Eastern, Oriental tradition and the hardy, surviving strands of Classical style, and [he] illustrates this web by means of a variety of convincing and well-chosen examples."--Art Bulletin "A book of absorbing interest and immense erudition. . . All Islamic archaeologists and scholars will thank Professor Grabar for a profound and original study of an immense and complex field, which may provoke controversy but must impress by its mastery and charm by its modesty."-Times Literary Supplement "Oleg Grabar, in this book of exceptional subtlety and taste, surveys and extends his own important contributions to the study of early Islamic art history and works out an original and imaginative approach to the elusive and complex problems of understanding Islamic art."--American Historical Review.
590 $bArchive
650 0 $aIslamic art$xHistory.
650 0 $aIslamic civilization.
650 7 $aIslamic civilization.$2fast$0(OCoLC)fst01730294
650 7 $aIslamic art.$2fast$0(OCoLC)fst01730275
650 17 $aIslamitische kunst.$2gtt
650 7 $aArt islamique$xHistoire.$2ram
650 7 $aArt$xIslam.$2ram
650 7 $aIslam$xArt.$2ram
653 $aIslamic visual arts, to ca 1000
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aGrabar, Oleg.$tFormation of Islamic art.$bRevised and enlarged edition$w(OCoLC)1085905942
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