| Record ID | marc_claremont_school_theology/CSTMARC1_multibarcode.mrc:32914317:1932 |
| Source | marc_claremont_school_theology |
| Download Link | /show-records/marc_claremont_school_theology/CSTMARC1_multibarcode.mrc:32914317:1932?format=raw |
LEADER: 01932cam a2200517 i 4500
001 ocm00600370
003 OCoLC
005 20200617075656.6
008 730314s1972 inua b 000 0 eng
010 $a 72082722
040 $aDLC$beng$cDLC$dBAKER$dNLGGC$dBTCTA$dYDXCP$dLVB$dAU@$dNIALS$dACD$dBDX$dOCLCO$dOCLCF$dP4I$dOCLCQ$dOCLCO$dI8M$dOCLCQ$dCSJ$dOCLCQ$dPAU$dOCLCQ$dHUELT$dOCLCQ
020 $a0253181429
020 $a9780253181428
029 1 $aAU@$b000000587541
029 1 $aNZ1$b4100369
029 1 $aYDXCP$b141603
035 $a(OCoLC)00600370
050 00 $aPN1995$b.W64 1972
082 00 $a791.43/01
084 $a24.31$2bcl
049 $aMAIN
100 1 $aWollen, Peter.
245 10 $aSigns and meaning in the cinema /$cPeter Wollen.
250 $aNew and enl. [3d ed.].
260 $aBloomington :$bIndiana University Press,$c1972.
300 $a175 pages :$billustrations ;$c19 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCinema one ;$v9
504 $aIncludes bibliographical references (pages 174-175).
505 0 $aEisenstein's aesthetics -- The auteur theory -- The semiology of the film.
590 $bArchive
650 0 $aMotion pictures$xAesthetics.
650 6 $aCinéma$xEsthétique.
650 7 $aMotion pictures$xAesthetics.$2fast$0(OCoLC)fst01027288
650 17 $aFilmkunst.$2gtt
650 17 $aSemiotiek.$2gtt
776 08 $iOnline version:$aWollen, Peter.$tSigns and meaning in the cinema.$bNew and enl. [3d ed.].$dBloomington, Indiana University Press [1972]$w(OCoLC)572962901
830 0 $aCinema one ;$v9.
938 $aBaker & Taylor$bBKTY$c19.95$d19.95$i0253181410$n0000402255$sactive
938 $aBrodart$bBROD$n21352526$c$11.95
938 $aBaker and Taylor$bBTCP$n72082722 //r88
938 $aYBP Library Services$bYANK$n141604
994 $a92$bCST
976 $a10011402295