MARC Record from marc_claremont_school_theology

LEADER: 06503cam a22008414a 4500
001 ocm62888209
003 OCoLC
005 20200617074804.8
008 051229s2006 mduag b 001 0 eng
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020 $a0810852756$q(hardcover ;$qalk. paper)
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050 00 $aML3260$b.C36 2006
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084 $a6,11$2ssgn
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049 $aMAIN
100 1 $aCameron, Jasmin Melissa.
245 14 $aThe crucifixion in music :$ban analytical survey of settings of the Crucifixus between 1680 and 1800 /$cJasmin Melissa Cameron.
260 $aLanham, Md. :$bScarecrow Press,$c2006.
300 $axxiv, 371 pages :$billustrations, music ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aContextual Bach studies ;$vno. 1
504 $aIncludes bibliographical references (pages 345-357) and indexes.
505 0 $apt. 1. The liturgy and its musical implications. The Crucifixus : an overview -- pt. 2. Investigative approaches. Music and rhetoric : representation of the text as conceived by theorists of the eighteenth century ; Modern analytical views relevant to the subject and their relationship to rhetoric -- pt. 3. Analysis. A musical overview ; Analytical results -- pt. 4. Case studies. Adaptation of preexisting music for a setting of the Crucifixus : J.S. Bach, Crucifixus from Mass in B Minor BWV 232 ; Organization of texture and text : Caldara, Crucifixus a 16 voci ; A semiotic analysis : Bertoni, Crucifixus con organo a 4 voci ; A rhetorical analysis : Zelenka, Crucifixus from Missa paschalis ZWV 7 ; Textual influence : Vivaldi, Crucifixus from Credo RV 591 ; Constraints of style : Lotti, Crucifixus settings for six and ten voices ; Orchestral practice and Crucifixus conventions : Mozart, Haydn, and beyond -- pt. 5. Summary. The Crucifixus tradition : patterns of influence and modes of transmission ; General overview -- Appendixes. A, Crucifixus settings ; B, Rhythmic variants for setting the word "Crucifixus" ; C, A comparison of Bach's setting of the Crucifixus from the Mass in B minor BWV 232 and the first part of the opening chorus from Weinen, Klagen, Sorgen, Zagen BWV 12 ; D, A. Caldara (8) : Crucifixus a 16 voci ; E, F. Bertoni (5) : Crucifixus con organo a 4 voci ; F, A. Vivaldi (95) : Crucifixus from Credo RV 591 ; G, A. Lotti (59) : Crucifixus a 6 ; H, A. Lotti (60) : Crucifixus a 10 ; I, W.A. Mozart (84) : Crucifixus from Krönungs-Messe KV 317 ; J, F.J. Haydn (39) : Crucifixus from Missa in tempore belli ; K.D. Cimarosa (16) : Messa a 4 con stromenti --Bibliography -- General index -- Musical index.
520 $aUnique yet diverse in its approach, The Crucifixion in Music examines how text is set in music through the specific musicological period from 1680 to 1800. The treatise focuses specifically on the literary text of the Crucifixus from the Credo of the Ordinary of the Roman Catholic Mass. Combining analytical theory and method to address musical rhetoric, semiotics, and theory, author Jasmin Cameron follows the Crucifixion through many settings in Baroque and Classical music. In this first title in Scarecrow Press's new series, Contextual Bach Studies, Cameron studies musical representations of the text, first through a discussion that establishes a theoretical framework, then by applying the framework to individual case studies, such as Johann Sebastian Bach's B Minor Mass. By studying the musical representation of the text, and the concepts and contexts to which the words refer, Cameron examines the way the treatment of a literary text fuses into a recognizable musical tradition that composers can follow, develop, modify, or ignore. With equal time given to the settings of the Crucifixus by composers before and after Bach's time, the reader is provided with a fuller historical context for Bach's genius. Cameron also combines the beliefs of past theorists with those of today, reaching a common ground among them, and providing a basis and analytical framework for further study [Publisher description].
590 $bArchive
630 07 $aCredo$2gnd
630 07 $aKreuzigung Jesu$2gnd
600 17 $aJesus Christus$xKreuzigung.$2swd
630 07 $aCredo.$2swd
650 0 $aPassion music$y17th century$xHistory and criticism.
650 0 $aPassion music$y18th century$xHistory and criticism.
650 7 $a24.66 liturgical music.$0(NL-LeOCL)077601580$2bcl
650 7 $aPassion music.$2fast$0(OCoLC)fst01054427
650 7 $aVertonung$2gnd
648 4 $aGeschichte 1680-1800.
648 7 $a1600-1799$2fast
648 7 $aGeschichte 1680-1800$2swd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aCameron, Jasmin Melissa.$tCrucifixion in music.$dLanham, Md. : Scarecrow Press, 2006$w(OCoLC)655265772
830 0 $aContextual Bach studies ;$vno. 1.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip066/2005037859.html
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015028181&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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