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MARC Record from marc_claremont_school_theology

Record ID marc_claremont_school_theology/CSTMARC2_barcode.mrc:76320296:5564
Source marc_claremont_school_theology
Download Link /show-records/marc_claremont_school_theology/CSTMARC2_barcode.mrc:76320296:5564?format=raw

LEADER: 05564cam a2200781 a 4500
001 ocn466344534
003 OCoLC
005 20200617074752.4
007 ta
008 091215s2010 miua b s001 0 eng
010 $a 2009052181
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015 $aGBB076669$2bnb
016 7 $a015584819$2Uk
019 $a792939660$a945784054$a1057435082
020 $a9780472071111$q(cloth ;$qalk. paper)
020 $a0472071114$q(cloth ;$qalk. paper)
020 $a9780472051113$q(pbk. ;$qalk. paper)
020 $a0472051113$q(pbk. ;$qalk. paper)
029 1 $aAU@$b000045048927
029 1 $aCHBIS$b007551972
029 1 $aCHVBK$b184850762
029 1 $aUKMGB$b015584819
035 $a(OCoLC)466344534$z(OCoLC)792939660$z(OCoLC)945784054$z(OCoLC)1057435082
043 $an-us---
050 00 $aE185.625$b.Y68 2010
082 00 $a305.896/073$222
049 $aMAIN
100 1 $aYoung, Harvey,$d1975-
245 10 $aEmbodying Black experience :$bstillness, critical memory, and the Black body /$cHarvey Young.
260 $aAnn Arbor :$bUniversity of Michigan Press,$c©2010.
300 $aix, 259 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTheater : theory/text/performance
504 $aIncludes bibliographical references (pages 239-253) and index.
505 0 $aThe Black body -- Still standing : daguerreotypes, photography, and the Black body -- Between the ropes : staging the Black body in American boxing -- Touching history : staging Black experience -- Housing the memory of racial violence : the Black body as souvenir, museum, and living remain.
520 $aIn 1901, George Ward, a lynching victim, was attacked, murdered, and dismembered by a mob of white men, women, and children. As his lifeless body burned in a fire, enterprising white youth cut off his toes and, later, his fingers and sold them as souvenirs. In Embodying Black Experience, Harvey Young masterfully blends biography, archival history, performance theory, and phenomenology to relay the experiences of black men and women who, like Ward, were profoundly affected by the spectacular intrusion of racial violence within their lives. Looking back over the past two hundred years--from the exhibition of boxer Tom Molineaux and Saartjie Baartman (the "Hottentot Venus") in 1810 to twenty-first century experiences of racial profiling and incarceration--Young chronicles a set of black experiences, or what he calls "phenomenal blackness," that developed not only from the experience of abuse but also from a variety of performances of resistance that were devised to respond to the highly predictable and anticipated arrival of racial violence within a person's lifetime.
520 $aEmbodying Black Experience pinpoints selected artistic and athletic performances--photography, boxing, theater/performance art, and museum display--as portals through which to gain access to the lived experiences of a variety of individuals. The photographs of Joseph Zealy, Richard Roberts, and Walker Evans; the boxing performances of Jack Johnson, Joe Louis, and Muhammad Ali; the plays of Suzan-Lori Parks, Robbie McCauley, and Dael Orlandersmith; and the tragic performances of Bootjack McDaniels and James Cameron offer insight into the lives of black folk across two centuries and the ways that black artists, performers, and athletes challenged the racist (and racializing) assumptions of the societies in which they lived.
520 $aBlending humanistic and social science perspectives, Embodying Black Experience explains the ways in which societal ideas of "the black body," an imagined myth of blackness, get projected across the bodies of actual black folk and, in turn, render them targets of abuse. However, the emphasis on the performances of select artists and athletes also spotlights moments of resistance and, indeed, strength within these most harrowing settings. --Book Jacket.
590 $bArchive
650 0 $aAfrican Americans$xRace identity.
650 0 $aAfrican Americans in popular culture.
650 0 $aAfrican Americans in art.
650 0 $aHuman body$xSocial aspects.
650 0 $aBody image$xSocial aspects.
650 0 $aAnthropometry$xSocial aspects.
650 7 $aAfrican Americans in art.$2fast$0(OCoLC)fst00799722
650 7 $aAfrican Americans in popular culture.$2fast$0(OCoLC)fst00799734
650 7 $aAfrican Americans$xRace identity.$2fast$0(OCoLC)fst00799666
650 7 $aAnthropometry$xSocial aspects.$2fast$0(OCoLC)fst00810260
650 7 $aBody image$xSocial aspects.$2fast$0(OCoLC)fst00835349
650 7 $aHuman body$xSocial aspects.$2fast$0(OCoLC)fst01730101
650 7 $aSchwarze.$0(DE-588)4116433-7$2gnd
650 7 $aEthnizität.$0(DE-588)4220764-2$2gnd
650 7 $aKörperbild.$0(DE-588)4137718-7$2gnd
650 7 $aKunst.$0(DE-588)4114333-4$2gnd
650 7 $aMassenkultur.$0(DE-588)4125858-7$2gnd
651 7 $aUSA.$0(DE-588)4078704-7$2gnd
830 0 $aTheater--theory/text/performance.
938 $aBrodart$bBROD$n10870121$c$32.50
938 $aBaker and Taylor$bBTCP$nBK0008664658
938 $aCoutts Information Services$bCOUT$n11311282
938 $aMidwest Library Services$bMWST$n02373522010
938 $aYBP Library Services$bYANK$n3168269
994 $a92$bCST
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