MARC Record from marc_claremont_school_theology

LEADER: 03881cam a22007457a 4500
001 ocn861234227
003 OCoLC
005 20200617075522.5
008 160607s2013 enk b 000 0 eng d
010 $a 2016387705
040 $aVA@$beng$cDLC$dVA@$dYDXCP$dBTCTA$dCOO$dZCU$dBDX$dTDF$dEAU$dOCLCF$dUKMGB$dNYWWB$dOCLCQ$dS3O$dUEJ$dU3W$dCNGUL$dHLS
015 $aGBB4F4499$2bnb
016 7 $a016992805$2Uk
019 $a809911136$a810114014$a870892269$a1118611968
020 $a9780857420947$q(pbk.)
020 $a0857420941$q(pbk.)
029 1 $aAU@$b000052749750
029 1 $aDEBSZ$b398790221
029 1 $aUKMGB$b016992805
029 1 $aDKDLA$b800010-katalog:99122195026505763
029 1 $aDKDLA$b800010-katalog:99121921721105763
035 $a(OCoLC)861234227$z(OCoLC)809911136$z(OCoLC)810114014$z(OCoLC)870892269$z(OCoLC)1118611968
041 1 $aeng$hita
042 $alccopycat
050 00 $aBH39$b.A31813 2013
082 04 $a704.9/48922114$223
084 $aJ0-05$2clc
049 $aMAIN
100 1 $aAgamben, Giorgio,$d1942-
240 10 $aNinfe.$lEnglish
245 10 $aNymphs /$cGiorgio Agamben ; translated by Amanda Minervini.
260 $aLondon :$bSeagull,$c2013.
300 $a66 pages ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe Italian list
500 $a"'Nymphs' was first published by Stanford University Press ..."
504 $aIncludes bibliographical references.
520 $aIn 1900, art historians André Jolles and Aby Warburg constructed an experimental dialogue in which Jolles supposed he had fallen in love with the figure of a young woman in a painting: 'A fantastic figure - shall I call her a servant girl, or rather a classical nymph? What is the meaning of it all? Who is the nymph? Where does she come from?' Warburg's response: 'In essence she is an elemental spirit, a pagan goddess in exile,' serves as the touchstone for this wide-ranging and theoretical exploration of female representation in iconography. In Nymphs, the newest translation of Italian philosopher Giorgio Agamben's work, the author notes that academic research has lingered on the pagan goddess, while the concept of elemental spirit, ignored by scholars, is vital to the history of iconography. Tracing the genealogy of this idea, Agamben goes on to examine subjects as diverse as the aesthetic theories of choreographer Domineco da Piacenza, Friedrich Theodor Vischer's essay on the symbol, Walter Benjamin's concept of the dialectic image, and the bizarre discoveries of photographer Nathan Lerner in 1972. From these investigations, there emerges a startlingly original exploration of the ideas of time and the image.$c-- From publisher's website.
590 $bArchive
650 0 $aAesthetics.
650 0 $aNymphs (Greek deities) in art.
650 7 $aAesthetics.$2fast$0(OCoLC)fst00798702
650 7 $aNymphs (Greek deities) in art.$2fast$0(OCoLC)fst01042455
650 6 $aNymphes (Divinités grecques) dans les arts.
650 6 $aNymphes (Divinités grecques) dans la littérature.
650 6 $aDéesses dans l'art.
650 6 $aFemmes dans l'art.
650 6 $aEsthétisme (Art)
650 7 $aArt and Design.$2eflch
650 7 $aArt and Design.$2ukslc
650 7 $aThe arts: general issues.$2thema
650 7 $aModern philosophy: since c 1800.$2thema
650 7 $aAesthetics.$2cct
650 7 $aNymphs (Greek deities) in art.$2cct
700 1 $aMinervini, Amanda.
830 0 $aItalian list.
938 $aBrodart$bBROD$n104456086
938 $aBaker and Taylor$bBTCP$nBK0012109914
938 $aTheodore Front Musical Literature$bTFRT$n104456086
938 $aWorldwide Books$bWWBK$n152745
938 $aYBP Library Services$bYANK$n9658268
994 $a92$bCST
976 $a10017031196