| Record ID | marc_claremont_school_theology/CSTMARC2_multibarcode.mrc:119737817:4066 |
| Source | marc_claremont_school_theology |
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LEADER: 04066cam a2200733 i 4500
001 ocn895388586
003 OCoLC
005 20200617075302.5
008 141110s2015 enkag b 001 0deng
010 $a 2014044209
040 $aDLC$beng$erda$cDLC$dYDX$dYDXCP$dERASA$dOCLCF$dBTCTA$dCHVBK$dCDX$dOCLCO$dCOO$dCUT$dZCU$dOCLCQ$dICW$dZWZ$dOCLCO$dOCLCA$dDLC$dNAM$dOCLCQ$dOCLCO$dUKMGB$dOCLCA$dCUI$dGZN$dIEUOL$dOCLCA
015 $aGBB536233$2bnb
016 7 $a017111982$2Uk
019 $a896787212$a1107159209
020 $a9781107076662$q(hb ;$qalk. paper)
020 $a1107076668$q(hb ;$qalk. paper)
020 $a9781107433878
020 $a1107433878
020 $z9781316309711 (PDF ebook)
029 1 $aAU@$b000053796541
029 1 $aCHBIS$b010335743
029 1 $aCHDSB$b006343321
029 1 $aCHVBK$b333586123
029 1 $aCHVBK$b334261929
029 1 $aUNITY$b136005004
029 1 $aZWZ$b199125643
029 1 $aUKMGB$b017111982
035 $a(OCoLC)895388586$z(OCoLC)896787212$z(OCoLC)1107159209
042 $apcc
050 00 $aML410.H618$bB35 2015
072 7 $aMUS$2eflch
072 7 $aMUS$2ukslc
082 00 $a782.25092$223
049 $aMAIN
100 1 $aBain, Jennifer,$d1967-
245 10 $aHildegard of Bingen and musical reception :$bthe modern revival of a medieval composer /$cJennifer Bain.
264 1 $aCambridge, United Kingdom :$bCambridge University Press,$c2015.
300 $axiii, 235 pages :$billustrations, music ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 205-226) and index.
505 0 $aIntroduction. O virga ac diadema : historiography of a song -- Forgotten? Hildegard's reception from 1179 to 1850 -- Hildegard's increased veneration and emergence as a composer -- The German revival of chant -- Hildegard and the Kulturkampf -- Hildegard, tourism, and the politics of chant -- Conclusion. New century, new abbey, new Hildegard.
520 $aSince her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music. The book goes on to situate the emergence of Hildegard's music both within the French chant restoration movement driven by Solesmes and the German chant revival supported by Cecilianism, the German movement to reform Church music more generally. Engaging with the complex political and religious environment in German speaking areas, Bain places the more recent Anglophone revival of Hildegard's music in a broader historical perspective and reveals the important intersections amongst local devotion, popular culture, and intellectual activities [Publisher description].
590 $bArchive
600 00 $aHildegard,$cSaint,$d1098-1179$xAppreciation$xHistory.
600 07 $aHildegard,$cSaint,$d1098-1179.$2fast$0(OCoLC)fst00060719
600 07 $aHildegard$cvon Bingen, Heilige$d1098-1179$2gnd
650 0 $aGregorian chants$xHistory and criticism.
650 7 $aArt appreciation.$2fast$0(OCoLC)fst00815447
650 7 $aGregorian chants.$2fast$0(OCoLC)fst00947816
650 7 $aRezeption$2gnd
650 7 $aGregorianischer Gesang$2gnd
650 7 $aChants grégoriens$xHistoire et critique.$2ram
650 7 $aMusic.$2eflch
650 7 $aMusic.$2ukslc
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
938 $aBaker and Taylor$bBTCP$nBK0016802519
938 $aCoutts Information Services$bCOUT$n30106451
938 $aErasmus Boekhandel$bERAA$nNTS0000194295
938 $aYBP Library Services$bYANK$n12159191
994 $a92$bCST
976 $a10017041441