MARC Record from marc_claremont_school_theology

LEADER: 04963cam a22008414a 4500
001 ocn759594358
003 OCoLC
005 20200617074859.6
008 111028s2012 ilua b 001 0 eng
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050 00 $aML3187$b.H39 2012
082 00 $a782.25/408909075$223
049 $aMAIN
100 1 $aHarrison, Douglas,$d1975-
245 10 $aThen sings my soul :$bthe culture of southern gospel music /$cDouglas Harrison.
260 $aUrbana :$bUniversity of Illinois Press,$c©2012.
300 $axi, 228 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMusic in American life
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : A native informant's report from the field -- Glory bumps, or the psychodynamics of the southern gospel experience -- Nostalgia, modernity, and the reconstruction roots of southern gospel -- The rise of "southern" gospel music and the compensations of history -- The gaitherization of contemporary southern gospel -- Southern gospel in the key of queer -- Epilogue : the soul's best song -- List of songs referenced -- Appendix : methods and preliminary findings of a survey of attitudes and beliefs about southern gospel music.
520 $aIn this ambitious book on southern gospel music, Douglas Harrison reexamines the music's historical emergence and its function as a modern cultural phenomenon. Rather than seeing the music as a single rhetoric focusing on the afterlife as compensation for worldly sacrifice, Harrison presents southern gospel as a network of interconnected messages that evangelical Christians use to make individual sense of both Protestant theological doctrines and their own lived experiences. Harrison explores how listeners and consumers of southern gospel integrate its lyrics and music into their own religious experience, building up individual--and potentially subversive--meanings beneath a surface of evangelical consensus. Reassessing the contributions of such figures as Aldine Kieffer, James D. Vaughan, and Bill and Gloria Gaither, Then Sings My Soul traces an alternative history of southern gospel in the twentieth century, one that emphasizes the music's interaction with broader shifts in American life beyond the narrow confines of southern gospel's borders. Harrison's discussion includes the "gay-gospel paradox"--The experience of non-heterosexuals in gospel music--as emblematic of fundamentalism's conflict with the postmodern world [Publisher description].
590 $bArchive
600 14 $aGaither, Bill.
650 0 $aGospel music$zSouthern States$xHistory and criticism.
650 0 $aPopular culture$xReligious aspects.
650 7 $aGospel music.$2fast$0(OCoLC)fst00945026
650 7 $aPopular culture$xReligious aspects.$2fast$0(OCoLC)fst01071378
651 7 $aSouthern States.$2fast$0(OCoLC)fst01244550
650 7 $aGospelsong$2gnd
651 7 $aUSA$xSüdstaaten$2gnd
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650 7 $aGospel$zÉtats-Unis (sud)$xHistoire et critique.$2ram
650 7 $aGospel$zÉtats-Unis (sud)$xAspect social.$2ram
650 7 $aCulture populaire$zÉtats-Unis (sud)$xAspect religieux.$2ram
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aMusic in American life.
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