| Record ID | marc_columbia/Columbia-extract-20221130-001.mrc:134922301:1138 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-001.mrc:134922301:1138?format=raw |
LEADER: 01138cam a2200313 i 4500
001 108328
005 20220518200140.0
008 820202s1979 nyua b 000 0 eng d
035 $a(OCoLC)79720496
035 $a(OCoLC)ocm79720496
035 $a(CStRLIN)NYCG82-B5102
035 $9AAM5319CU
035 $a(NNC)108328
035 $a108328
040 $aNNC$cNNC
090 $aLD1237.5D 1979$b.C176
100 1 $aCarnicke, Sharon Marie,$d1949-$0http://id.loc.gov/authorities/names/n88103342
245 14 $aThe theatrical instinct :$ba study of the work of Nikolaj Evreinov in early twentieth-century Russia /$cby Sharon Marie Carnicke.
260 $c1979.
300 $avii, 367 leaves, bound :$billustrations ;$c29 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aTypescript (photocopy)
502 $aThesis (Ph.D.)--Columbia University, 1979.
504 $aBibliography: leaves 350-367.
600 10 $aEvreinov, N. N.$q(Nikolaĭ Nikolaevich),$d1879-1953$xCriticism and interpretation.
852 00 $bmil$hLD1237.5D 1979$i.C176
852 00 $boff,dic$hLD1237.5D 1979$i.C176