| Record ID | marc_columbia/Columbia-extract-20221130-001.mrc:43068070:1100 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-001.mrc:43068070:1100?format=raw |
LEADER: 01100cam a2200337 i 4500
001 34567
005 20220518185055.0
008 801113s1978 enk b 000 0 eng
010 $a 79320933
015 $aGB***
020 $a0851700748 :$c£1.00
035 $a(OCoLC)4396225
035 $a(OCoLC)ocm04396225
035 $a(CStRLIN)NYCG19792654-B
035 $9AAD6323CU
035 $a(NNC)34567
035 $a34567
050 00 $aPN1995.9.S85$bS5
082 0 $a791.43/0909/1
090 $aPN1995.9.S85$bS5
245 04 $aThe Shadow and its shadow :$bsurrealist writings on cinema /$cedited and introduced by Paul Hammond.
260 $aLondon :$bBritish Film Institute,$c1978.
300 $a133 pages ;$c21 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aBibliography: p. 22.
504 $aFilmography: p. 131-133.
650 0 $aSurrealism in motion pictures.$0http://id.loc.gov/authorities/subjects/sh85130848
700 1 $aHammond, Paul.$0http://id.loc.gov/authorities/names/nb2006000012
852 00 $bglx$hPN1995.9.S85$iS5