| Record ID | marc_columbia/Columbia-extract-20221130-001.mrc:97512178:1506 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-001.mrc:97512178:1506?format=raw |
LEADER: 01506cam a2200409 a 4500
001 78357
005 20220518193341.0
008 820603s1980 enk b 001 0 eng
010 $a 81148208
015 $aGB***
020 $a071000477X :$c£10.00
020 $a0710004788 (pbk.) :$c£4.95
035 $a(OCoLC)6855019
035 $a(OCoLC)ocm06855019
035 $a(CStRLIN)NYCG82-B21239
035 $9AAJ3299CU
035 $a(NNC)78357
035 $a78357
040 $dNNC
082 0 $a791.43/09/0912$219
090 $aPN1995.9.R3$bR4
245 00 $aRealism and the cinema :$ba reader /$cedited by Christopher Williams.
260 $aLondon :$bRoutledge & Kegan Paul in association with the British Film Institute,$c1980.
300 $aix, 285 pages ;$c22 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aBritish Film Institute readers in film studies
504 $aBibliography: p. 263-273.
500 $aIncludes index.
504 $aFilmography: p. 274-280.
650 0 $aRealism in motion pictures.$0http://id.loc.gov/authorities/subjects/sh85111771
650 0 $aMotion pictures$xPhilosophy.$0http://id.loc.gov/authorities/subjects/sh2008108033
700 1 $aWilliams, Christopher.$0http://id.loc.gov/authorities/names/n81101793
710 2 $aBritish Film Institute.$0http://id.loc.gov/authorities/names/n80075864
830 0 $aBritish Film Institute readers in film studies.
852 00 $bglx$hPN1995.9.R3$iR4