| Record ID | marc_columbia/Columbia-extract-20221130-002.mrc:160463159:1643 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-002.mrc:160463159:1643?format=raw |
LEADER: 01643cam a2200373 a 4500
001 628031
005 20220525212641.0
008 880226t19851985lh g b 000 0 ger
010 $a 86147776
035 $a(OCoLC)16985305
035 $a(OCoLC)ocm16985305
035 $a(CStRLIN)NYCG88-B13745
035 $9ACT3971CU
035 $a(NNC)628031
035 $a628031
041 0 $agereng
050 00 $aML432$b.P4 1985
082 0 $a781/.24$219
090 $aML432$b.P4 1985
100 1 $aPeters, Arno.$0http://id.loc.gov/authorities/names/n82242247
245 14 $aDie masstäbliche Darstellung der Tondauer als Grundlage Oktav-anologer Farbnotation =$bThe proportionate representation of the duration of notes as the basis for octave-analogous colour notation /$cArno Peters ; [translated into English by Carol Claxton].
260 $aVaduz :$bAkademische Verlagsanstalt ;$aFrankfurt [am Main] :$bG. Lingenbrink [distributor],$c[1985], ©1985.
300 $a56 pages :$bmusic (some color) ;$c28 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aGerman text; parallel English translation.
500 $a"Revised version of the lecture given by the author on 8th May 1984 before professors of the Mozarteum in Salzburg"--Verso t.p.
500 $aCover title: Notation.
504 $aBibliography: p. 56.
650 0 $aMusical notation.$0http://id.loc.gov/authorities/subjects/sh85089012
740 0 $aProportionate representation of the duration of notes as the basis for octave-analogues colour notation.
740 0 $aNotation.
852 00 $boff,mus$hML432$i.P4 1985