| Record ID | marc_columbia/Columbia-extract-20221130-002.mrc:189089899:1344 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-002.mrc:189089899:1344?format=raw |
LEADER: 01344cam a2200361 a 4500
001 650545
005 20220525215354.0
008 880120s1988 nyu b 000 0 eng
010 $a 87028412
020 $a0824000889 (alk. paper) :$c$80.00
035 $a(OCoLC)16900670
035 $a(OCoLC)ocm16900670
035 $a(CStRLIN)NYCG88-B3616
035 $9ACV7768CU
035 $a(NNC)650545
035 $a650545
050 00 $aN8555$b.G53 1988
082 0 $a702/.8/8$219
090 $aN8555$b.G53 1988
100 1 $aGibson-Wood, Carol,$d1950-$0http://id.loc.gov/authorities/names/n87938728
245 10 $aStudies in the theory of connoisseurship from Vasari to Morelli /$cCarol Gibson-Wood.
260 $aNew York :$bGarland,$c1988.
300 $a359 pages ;$c24 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aOutstanding theses in the fine arts from British universities
500 $aOriginally presented as the author's thesis (Ph. D.)--Warburg Institute, University of London, 1982.
504 $aBibliography: p. 345-359.
650 0 $aArt$xExpertising$xMethodology.
830 0 $aOutstanding theses in the fine arts from British universities.$0http://id.loc.gov/authorities/names/n86713693
852 80 $boff,fax$hN7436$iG35
852 00 $bbar$hN8555$i.G53 1988