| Record ID | marc_columbia/Columbia-extract-20221130-002.mrc:83627879:1027 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-002.mrc:83627879:1027?format=raw |
LEADER: 01027cam a22003251i 4500
001 568503
005 20220525201627.0
008 870528s1974 enk b 000 0 eng
010 $a 75302148
020 $a0043840027 :$c£5.75
035 $a(OCoLC)1226777
035 $a(OCoLC)ocm01226777
035 $a(CStRLIN)NYCG87-B48391
035 $9ACM1859CU
035 $a(NNC)568503
035 $a568503
040 $dNNC
050 00 $aPN1995.9.S6$bT8
082 0 $a301.16/1
090 $aPN1995.9.S6$bT8
100 1 $aTudor, Andrew,$d1942-$0http://id.loc.gov/authorities/names/n50012755
245 10 $aImage and influence :$bstudies in the sociology of film /$cAndrew Tudor.
260 $aLondon :$bAllen & Unwin,$c1974.
300 $a260 pages ;$c22 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aBibliography: p. [238]-250.
650 0 $aMotion pictures$xSocial aspects.$0http://id.loc.gov/authorities/subjects/sh85088108
852 00 $bglx$hPN1995.9.S6$iT8