MARC Record from marc_columbia

LEADER: 02116cam a2200301 4500
001 1119960
005 20220601213451.0
008 741002s1965 nyu b 000 0 eng
010 $a 65029893
035 $a(OCoLC)ocm01027723
035 $9AGG5374CU
035 $a(NNC)1119960
035 $a1119960
040 $aDLC$cOUN$dm.c.$dOCL$dZCU
050 00 $aPA3025$b.A5 1965
100 1 $aAnderson, Michael,$d1937-$eeditor.$4http://id.loc.gov/vocabulary/relators/edt$0http://id.loc.gov/authorities/names/n80086682
245 10 $aClassical drama and its influence ;$bessays presented to H.D.F. Kitto /$cEdited by M.J. Anderson.
260 $aNew York :$bBarnes & Noble,$c[1965]
300 $aix, 277 pages ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographies.
505 0 $aThe poet and the mask, by T.B.L. Webster.--The chorus in the action of Greek tragedy, by A.M. Dale.--Tragedy and Greek archaic thought, by R.P. Winnington-Ingram.--Homer and Sophocles' Ajax, by G. Kirkwood.--Aristophanes: Originality and convention, by R. Harriott.--The vulgarity of tragedy, by L. Aylen.--Plautus, Terence and Seneca: a comparison of aims and methods, by W. Beare.--The Spanish tragedy and Hamlet: two exercises in English Seneca, by B.L. Joseph.--Towards a definition of form in drama, by H. Heffner.--Neo-classical drama and the Reformation in England, by G. Wickham.--Racine's response to the stagecraft of Attic tragedy as seen in his annotations, by W. McC. Stewart.--The classical tradition in Spanish dramatic theory and practice in the 17th century, by Duncan Moir.--The naturalist and the critical view of drama, by E.B. Pettet.--The fair theatres of Paris in the 18th century: The undermining of the classical ideal, by O.G. Brockett.
650 0 $aClassical drama.$0http://id.loc.gov/authorities/subjects/sh85026698
650 0 $aDrama.$0http://id.loc.gov/authorities/subjects/sh85039316
700 1 $aKitto, H. D. F.$q(Humphrey Davy Findley)$0http://id.loc.gov/authorities/names/n50047213
852 00 $bmil$hPA3025$i.A5 1965