| Record ID | marc_columbia/Columbia-extract-20221130-003.mrc:203341938:1244 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-003.mrc:203341938:1244?format=raw |
LEADER: 01244fam a2200349 a 4500
001 1181143
005 20220601224756.0
008 920616s1992 miu b s001 0 eng
010 $a 92002358
020 $a0472103083 (alk. paper)
035 $a(OCoLC)26160853
035 $a(OCoLC)ocm26160853
035 $9AGQ2459CU
035 $a(NNC)1181143
035 $a1181143
040 $aDLC$cDLC$dNNC
050 00 $aPN2039.H87 1992
082 00 $a792/.01$220
100 1 $aHuston, Hollis,$d1947-$0http://id.loc.gov/authorities/names/n92063455
245 14 $aThe actor's instrument :$bbody, theory, stage /$cHollis Huston.
260 $aAnn Arbor :$bUniversity of Michigan Press,$c1992.
263 $a9211
300 $avi, 218 pages ;$c24 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aTheater--theory/text/performance
504 $aIncludes bibliographical references and index.
650 0 $aTheater$xPhilosophy.$0http://id.loc.gov/authorities/subjects/sh2008112852
650 0 $aActing.$0http://id.loc.gov/authorities/subjects/sh85000691
830 0 $aTheater--theory/text/performance.$0http://id.loc.gov/authorities/names/n90667163
852 00 $bglx$hPN2039$i.H87 1992