MARC Record from marc_columbia

LEADER: 02186cam a2200349 a 4500
001 1182789
005 20220601224949.0
008 930622s1992 enk b 001 0 eng
010 $a 93169222
020 $a0340575123
035 $a(OCoLC)27930911
035 $a(OCoLC)ocm27930911
035 $9AGQ4763CU
035 $a(NNC)1182789
035 $a1182789
040 $aDLC$cDLC
050 00 $aML3790$b.N42 1992
082 00 $a338.4/778164$220
100 1 $aNegus, Keith.$0http://id.loc.gov/authorities/names/n93058947
245 10 $aProducing pop :$bculture and conflict in the popular music industry /$cKeith Negus.
260 $aLondon ;$aNew York :$bE. Arnold ;$aNew York :$bDistributed in the USA by Routledge, Chapman, and Hall,$c1992.
300 $aix, 175 pages ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (p. [161]-168) and index.
505 0 $aIntroduction: Between the Artist and Audience -- 1. Feeding the World: Popular Music and the Global Entertainment Industry -- 2. Music Machines: Technology and Popular Music -- 3. Priorities and Prejudice: Artist and Repertoire and the Acquisition of Artists -- 4. Images, Identities and Audiences: Marketing and Artist Development -- 5. Studios and Videos: The Production of Sound and Vision -- 6. Promotional War Games: Pop Radio in Britain and North America -- 7. Media Matchmakers: Press Publicity and Performance - Stores and Dance Floors -- 8. Between Success and Failure: Collaboration and Conflict in the Recording Industry -- Conclusion: Commerce, Chaos and Cultural Change -- Appendix 1: A Note About Recording Industry Statistics -- Appendix 2: World Sales of Records and Tapes 1990.
650 0 $aMusic trade.$0http://id.loc.gov/authorities/subjects/sh85088944
650 0 $aPopular music$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008109787
650 0 $aSound recording industry.$0http://id.loc.gov/authorities/subjects/sh85125388
650 0 $aPopular culture$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2008109786
852 00 $bmus$hML3790$i.N42 1992