| Record ID | marc_columbia/Columbia-extract-20221130-003.mrc:256982571:1855 |
| Source | marc_columbia |
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LEADER: 01855pam a2200361 a 4500
001 1232244
005 20220601235725.0
008 920408s1993 enka bq 001 0 eng
010 $a 92011012
020 $a0521392365 (hc)
020 $a0521398665 (pb)
035 $a(OCoLC)25748708
035 $a(OCoLC)ocm25748708
035 $9AGV7074CU
035 $a(NNC)1232244
035 $a1232244
040 $aDLC$cDLC$dDLC
050 00 $aPN1998.3.R67$bB66 1993
082 00 $a791.43/0233/092$220
100 1 $aBondanella, Peter,$d1943-2017.$0http://id.loc.gov/authorities/names/n50042079
245 14 $aThe films of Roberto Rossellini /$cPeter Bondanella.
260 $aCambridge [England] ;$aNew York, NY :$bCambridge University Press,$c1993.
300 $axiv, 183 pages :$billustrations ;$c24 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aCambridge film classics
504 $aFilmography: p. 152-175.
504 $aIncludes bibliographical references (p. 176-180) and index.
505 0 $a1. Rossellini and Realism: The Trajectory of a Career -- 2. L'uomo dalla croce: Rossellini and Fascist Cinema -- 3. Roma citta aperta and the Birth of Italian Neorealism -- 4. Paisa and the Rejection of Traditional Narrative Cinema -- 5. La macchina ammazzacattivi: Doubts about the Movie Camera as a Morally Redemptive Force -- 6. Viaggio in Italia: Ingrid Bergman and a New Cinema of Psychological Introspection -- 7. II generale Della Rovere: Commercial Success and a Reconsideration of Neorealism -- 8. La prise de pouvoir par Louis XIV: Toward a Didactic Cinema for Television.
600 10 $aRossellini, Roberto,$d1906-1977$xCriticism and interpretation.
830 0 $aCambridge film classics.$0http://id.loc.gov/authorities/names/n92063109
852 00 $bglx$hPN1998.3.R67$iB66 1993