MARC Record from marc_columbia

LEADER: 03100fam a2200445 a 4500
001 1237648
005 20220602000629.0
008 920526t19921992cau b 001 0 eng
010 $a 92022423
020 $a0892362464 (hard) :$c$55.00
020 $a0892362472 (soft) :$c$29.95
035 $a(OCoLC)26096150
035 $a(OCoLC)ocm26096150
035 $9AGW4744CU
035 $a(NNC)1237648
035 $a1237648
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $an-us---
050 00 $aND207$b.A678 1992
082 00 $a759.13$220
245 00 $aAmerican icons :$btransatlantic perspectives on eighteenth- and nineteenth-century American art /$cedited by Thomas W. Gaehtgens and Heinz Ickstadt.
260 $aSanta Monica, Calif. :$bGetty Center for the History of Art and the Humanities :$aChicago :$bDistributed by the University of Chicago Press,$c[1992], ©1992.
263 $a9211
300 $a360 pages :$billustrations ;$c27 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aIssues & debates
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction /$rThomas W. Gaehtgens and Heinz Ickstadt -- $tAmerican Genesis: The Landing of Christopher Columbus /$rBarbara Groseclose -- $tCopley, West, and the Tradition of European High Art /$rWerner Busch -- $tSelf, Time, and Object in American Art: Copley, Lane, and Homer /$rBarbara Novak -- $tRomantic Landscape Painting in America: History as Nature, Nature as History /$rMartin Christadler -- $tInventing the Myth of the American Frontier: Bingham's Images of Fur Traders and Flatboatmen as Symbols of the Expanding Nation /$rFrancoise Forster-Hahn -- $tFictions of Nationhood: Leutze's Pursuit of an American History Painting in Dusseldorf /$rBarbara Gaehtgens -- $tKindred Spirits: Notes on Swiss and American Painting of the Nineteenth Century /$rWilliam Hauptman -- $tStrategies of Recognition: The Conditioning of the American Artist between Marginality and Fame /$rUrsula Frohne -- $tWinslow Homer's National Style /$rNicolai Cikovsky, Jr. -- $tThe Senses of Illusion /$rOlaf Hansen -- $tResisting Modernism: American Painting in the Culture of Conflict /$rKathleen Pyne -- $tUrban Iconography in Nineteenth-Century American Painting: From Impressionism to the Ash Can School /$rHubert Beck.
650 0 $aPainting, American.$0http://id.loc.gov/authorities/subjects/sh85096685
650 0 $aPainting, American$y18th century.
650 0 $aPainting, American$y19th century.$0http://id.loc.gov/authorities/subjects/sh00010185
650 0 $aNationalism and art$zUnited States.
700 1 $aGaehtgens, Thomas W.,$d1940-$0http://id.loc.gov/authorities/names/n84020486
700 1 $aIckstadt, Heinz.$0http://id.loc.gov/authorities/names/n82231259
710 2 $aJ. Paul Getty Center for the History of Art and the Humanities.$0http://id.loc.gov/authorities/names/n85086717
830 0 $aIssues & debates.$0http://id.loc.gov/authorities/names/n91023813
852 80 $boff,fax$hND207$iAm356
852 00 $bbar$hND207$i.A678 1992