MARC Record from marc_columbia

LEADER: 02194pam a2200361 a 4500
001 1247137
005 20220602001958.0
008 920204s1993 enk b 001 0 eng
010 $a 92006007
020 $a0631165746 (hb : acid-free paper)
020 $a0631165754 (pb : acid-free paper)
035 $a(OCoLC)25371768
035 $a(OCoLC)ocm25371768
035 $9AGX7230CU
035 $a(NNC)1247137
035 $a1247137
040 $aDLC$cDLC$dDLC
050 00 $aN6490$b.A7167 1993
082 00 $a709/.04$220
245 00 $aArt in theory, 1900-1990 :$ban anthology of changing ideas /$cedited by Charles Harrison and Paul Wood.
260 $aOxford, UK ;$aCambridge, Mass., USA :$bBlackwell,$c1993.
300 $axxv, 1189 pages ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aI. The Legacy of Symbolism. A. Classicism and Originality. B. Expression and the Primitive -- II. The Idea of the Modern World. A. Modernity. B. Cubism -- III. Rationalization and Transformation. A. Neo-Classicism and the Call to Order. B. Dissent and Disorder. C. Abstraction and Form. D. Utility and Construction -- IV. Freedom, Responsibility and Power. A. The Modern as Ideal. B. Realism as Figuration. C. Realism as Critique. D. Modernism as Critique -- V. The Individual and the Social. A. The American Avant-Garde. B. Individualism in Europe. C. Art and Society -- VI. Modernization and Modernism. A. Art and Modern Life. B. Modernist Art -- VII. Institutions and Objections. A. Objecthood and Reductivism. B. Attitudes to Form. C. Political Aspects. D. Critical Revisions -- VIII. Ideas of the Postmodern. A. The Condition of History. B. The Critique of Originality. C. Figures of Difference.
650 0 $aArt, Modern$y20th century$xPhilosophy.$0http://id.loc.gov/authorities/subjects/sh2007101462
700 1 $aHarrison, Charles,$d1942-2009.$0http://id.loc.gov/authorities/names/n85227617
700 1 $aWood, Paul.$0http://id.loc.gov/authorities/names/n92012450
852 80 $bfax$hN70$iAr75
852 00 $bbar$hN6490$i.A7167 1993
852 80 $bfax$hN70$iAr75