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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-003.mrc:288814193:4718
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-003.mrc:288814193:4718?format=raw

LEADER: 04718fam a2200433 a 4500
001 1256270
005 20220602003409.0
008 920817s1993 enka bq 101 0 eng
010 $a 92032195
020 $a052143016X
035 $a(OCoLC)26546898
035 $a(OCoLC)ocm26546898
035 $9AGY9547CU
035 $a(NNC)1256270
035 $a1256270
040 $aDLC$cDLC$dDLC$dNNC
043 $ae-ur---
050 00 $aPN1995.9.C55$bI54 1993
082 00 $a791.43/617$220
245 00 $aInside Soviet film satire :$blaughter with a lash /$cAndrew Horton, editor.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c1993.
300 $axi, 171 pages :$billustrations ;$c24 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aCambridge studies in film
500 $aPapers from the New Orleans Conference on the Spirit of Satire in Soviet Cinema held at Loyola University.
504 $aFilmography: p. 157-164.
504 $aIncludes bibliographical references and index.
505 0 $aForeword: If life itself is a satire... / Kirill Razlogov -- Introduction: Carnival versus lashing laughter in Soviet cinema / Andrew Horton -- Pt. 1. The long view: Soviet satire in context. I. Soviet film satire yesterday and today / Valentin Tolstykh. II. A Russian Munchausen: Aesopian translation / Kevin Moss. III. "We don't know what to laugh at": Comedy and satire in Soviet cinema (from The Miracle Worker to St. Jorgen's Feast Day) / Denise J. Youngblood. IV. An ambivalent NEP satire of bourgeois aspirations: The Kiss of Mary Pickford / Peter Christensen. V. Closely watched drains: Notes by a dilettante on the Soviet absurdist film / Michael Brashinsky -- Pt. 2. Middle-distance shots: The individual satire considered. VI. A subtextual reading of Kuleshov's satire The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924) / Vlada Petric. VII. The strange case of the making of Volga, Volga / Maya Turovskaya.
505 0 $aVIII. Circus of 1936: Ideology and entertainment under the big top / Moira Ratchford. IX. Black humor in Soviet cinema / Olga Reizen. X. Laughter beyond the mirror: Humor and satire in the cinema of Andrei Tarkovsky / Vida T. Johnson. XI. The films of Eldar Shengelaya: From subtle humor to biting satire / Julie Christensen -- Pt. 3. Close-ups: Glasnost and Soviet satire. XII. A forgotten flute and remembered popular tradition / Greta N. Slobin. XIII. Perestroika of kitsch: Sergei Soloviev's Black Rose, Red Rose / Svetlana Boym. XIV. Carnivals bright, dark, and grotesque in the glasnost satires of Mamin, Mustafayev, and Shakhnazarov / Andrew Horton. XV. Quick takes on Yuri Mamin's Fountain from the perspective of a Romanian / Andrei Codrescu. XVI. "One should begin with zero": A discussion with satiric filmmaker Yuri Mamin / Andrew Horton.
520 $aInside Soviet Film Satire: Laughter with a Lash is a lively collection of sixteen original essays by Soviet and American scholars and film commentators. It is the first in-depth examination of an important genre within the Soviet film tradition. From its origins, humor and satire have been closely linked in Soviet cinema. Nowhere in this tradition is there the pure comic genre typified in the West in films by Charlie Chaplin or Buster Keaton; by contrast, Soviet comedy can best be described as "laughter with a lash." Films made during the early years of the communist regime depicted characters and situations at a moment when the promise of socialism had yet to be realized. By the final years of totalitarian rule, filmmakers had found ways to create satiric films that powerfully indicted communism itself.
520 8 $aOffering a general overview of the evolution of Soviet film satire during a seventy-year period, this volume also provides in-depth analyses of such classics as Kuleshov's The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks; Volga, Volga, a popular musical of the Stalinist period; and the bitter and surrealistic Zero City, The Fountain, and Black Rose, Red Rose of the glasnost period. It also examines the effects of communism's collapse in 1991 on the tradition of satire and includes an interview with the renowned Soviet filmmaker Yuri Mamin.
650 0 $aComedy films$zSoviet Union$xHistory and criticism$vCongresses.
650 0 $aSatire, Soviet$xHistory and criticism$vCongresses.
650 0 $aCommunism and satire$vCongresses.
700 1 $aHorton, Andrew,$d1944-$0http://id.loc.gov/authorities/names/n80129514
830 0 $aCambridge studies in film.$0http://id.loc.gov/authorities/names/n86744061
852 00 $bglx$hPN1995.9.C55$iI54 1993