| Record ID | marc_columbia/Columbia-extract-20221130-003.mrc:297548328:2004 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-003.mrc:297548328:2004?format=raw |
LEADER: 02004fam a2200421 a 4500
001 1349574
005 20220602013613.0
008 921231t19921992ctua b 001 0 eng
010 $a 92053965
020 $a0300057415
035 $a(OCoLC)40848227
035 $a(OCoLC)ocm40848227
035 $9AHJ5531CU
035 $a(NNC)1349574
035 $a1349574
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $ae-uk-en
050 00 $aN5205.7.G7$bS65 1993
082 00 $a759.2/09/033$220
100 1 $aSolkin, David H.$0http://id.loc.gov/authorities/names/n83239095
245 10 $aPainting for money :$bthe visual arts and the public sphere in eighteenth-century England /$cDavid H. Solkin.
260 $aNew Haven :$bPublished for the Paul Mellon Centre for Studies in British Art by Yale University Press,$c[1992], ©1992.
263 $a9306
300 $a312 pages :$billustrations (some color) ;$c27 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (p. 302-306) and index.
505 00 $tIntroduction: On Painting, Commerce, and the 'Public' in Eighteenth-Century Britain --$g1.$tKit-Cats, Commerce, and Conversation --$g2.$tConversation at the Crossroads --$g3.$tHogarth's Refinement --$g4.$tVauxhall Gardens: or, The Politics of Pleasure --$g5.$tExhibitions of Sympathy --$g6.$tJoseph Wright of Derby and the Power of the Aesthetic --$g7.$tFrom Criticism into Crisis.
650 0 $aArt$xCommissioning$zEngland$xHistory$y18th century.
650 0 $aArt patronage$zEngland$xHistory$y18th century.
650 0 $aArtists and patrons$zEngland$xHistory$y18th century.
650 0 $aArt$zEngland$xMarketing.
650 0 $aArt, English$xThemes, motives.
650 0 $aArt, English$y17th century$xThemes, motives.
710 2 $aPaul Mellon Centre for Studies in British Art.$0http://id.loc.gov/authorities/names/n79109777
852 00 $bbar$hN5205.7.G7$iS65 1992
852 80 $bfax$hN6764$iSo45