MARC Record from marc_columbia

LEADER: 02185fam a2200445 a 4500
001 1402969
005 20220602025505.0
008 930415s1994 nyu b 001 0 eng
010 $a 93008068
020 $a0415042585
020 $a0415095530 (pbk.)
035 $a(OCoLC)28064633
035 $a(OCoLC)ocm28064633
035 $9AHR5793CU
035 $a(NNC)1402969
035 $a1402969
040 $aDLC$cDLC$dNNC
043 $ae-uk-en
050 00 $aPN2589$b.H69 1994
082 00 $a792/.094209031$220
100 1 $aHoward, Jean E.$q(Jean Elizabeth),$d1948-$0http://id.loc.gov/authorities/names/n82243603
245 14 $aThe stage and social struggle in early modern England /$cJean E. Howard.
260 $aLondon ;$aNew York :$bRoutledge,$c1994.
263 $a9403
300 $aviii, 184 pages ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (p. 163-173) and index.
505 0 $a1. Renaissance Theater and the Representation of Theatrical Practice: A Brief for Political Criticism -- 2. "Sathans Synagogue": The theater as constructed by its enemies -- 3. Antitheatricality Staged: The workings of ideology in Dekker's The Whore of Babylon and Shakespeare's Much Ado About Nothing -- 4. The Materiality of Ideology: Women as spectators, spectacles, and paying customers in the English public theater -- 5. Power and Eros: Crossdressing in dramatic representation and theatrical practice -- 6. Kings and pretenders: Monarchical theatricality in the Shakespearean history play.
650 0 $aTheater and society$zEngland$xHistory$y16th century.
650 0 $aTheater and society$zEngland$xHistory$y17th century.
650 0 $aTheater$zEngland$xHistory$y16th century.$0http://id.loc.gov/authorities/subjects/sh2008112835
650 0 $aTheater$zEngland$xHistory$y17th century.$0http://id.loc.gov/authorities/subjects/sh2008112836
852 00 $bglx$hPN2589$i.H69 1994
852 00 $bglx$hPN2589$i.H69 1994
852 00 $bmil$hPN2589$i.H69 1994
852 00 $bmil$hPN2589$i.H69 1994
852 00 $bmil$hPN2589$i.H69 1994
852 00 $bglx$hPN2589$i.H69 1994