MARC Record from marc_columbia

LEADER: 02312fam a2200433 a 4500
001 1416436
005 20220602031424.0
008 930517s1993 nyu b 001 0 eng
010 $a 93022852
020 $a0801427657 (cloth : alk. paper)
020 $a0801480477 (paper : alk. paper)
035 $a(OCoLC)28221632
035 $a(OCoLC)ocm28221632
035 $9AHS9924CU
035 $a(NNC)1416436
035 $a1416436
040 $aDLC$cDLC$dNNC
043 $ae-uk-en$ae-uk---
050 00 $aPR418.W65$bW35 1993
082 00 $a820.9/003$220
100 1 $aWall, Wendy,$d1961-$0http://id.loc.gov/authorities/names/n93046304
245 14 $aThe imprint of gender :$bauthorship and publication in the English Renaissance /$cWendy Wall.
260 $aIthaca :$bCornell University Press,$c1993.
263 $a9312
300 $axii, 373 pages :$billustrations ;$c25 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (p. 349-367) and index.
505 0 $aIntroduction: To Be "A Man in Print" -- 1. Turning Sonnet: The Politics and Poetics of Sonnet Circulation -- 2. Author(iz)ing Royal Spectacle: The Politics of Publishing Pageantry -- 3. Prefatorial Disclosures: "Violent Enlargement" and the Voyeuristic Text -- 4. Impersonating the Manuscript: Cross-Dressed Authors and Literary Pseudomorphs -- 5. Dancing in a Net: The Problems of Female Authorship -- Afterword: The Politics of Print.
650 0 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008119581
650 0 $aWomen and literature$zEngland$xHistory$y16th century.$0http://id.loc.gov/authorities/subjects/sh2008113576
650 0 $aWomen and literature$zEngland$xHistory$y17th century.$0http://id.loc.gov/authorities/subjects/sh2008113577
650 0 $aAuthors and publishers$zEngland$xHistory.
650 0 $aLiterature publishing$zEngland$xHistory.
650 0 $aAuthorship$xSex differences.$0http://id.loc.gov/authorities/subjects/sh2008117583
650 0 $aAuthority in literature.$0http://id.loc.gov/authorities/subjects/sh93008614
650 0 $aRenaissance$zEngland.$0http://id.loc.gov/authorities/subjects/sh2008110695
852 00 $bglx$hPR418.W65$iW35 1993