MARC Record from marc_columbia

LEADER: 03164fam a2200373 a 4500
001 1430832
005 20220602033422.0
008 930628s1994 ctua b 001 0 eng
010 $a 93005682
020 $a0300057393
035 $a(OCoLC)28495351
035 $a(OCoLC)ocm28495351
035 $9AHU7493CU
035 $a(NNC)1430832
035 $a1430832
040 $aDLC$cDLC$dNNC
050 00 $aNE441.5.R44$bL35 1993
082 00 $a769.94/09/024$220
100 1 $aLandau, David.$0http://id.loc.gov/authorities/names/n81136762
245 14 $aThe Renaissance print :$b1470-1550 /$cDavid Landau and Peter Parshall.
260 $aNew Haven :$bYale University Press,$c1994.
263 $a9407
300 $axii, 433 pages :$billustrations (some color) ;$c30 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (p. 415-428) and index.
505 0 $aI. Framing the Renaissance Print -- II. Craft Guilds, Workshops, and Supplies. Printmakers and the Organized Crafts. The Printmaker's Workshop and Its Necessities. Paper: The Printmaker's Ground. Blocks and Plates: The Printmaker's Matrix. Printmaking Presses. Production Rates, Costs, and Market Value -- III. How Prints Became Works of Art: The First Generation. Book Illustration and Specialization in the Woodcut Trade. Anton Koberger's Enterprise. Anton Kolb and Jacopo De' Barbari: Northern Enterprise Abroad. Northern Engraving and the Inventions of the Master ES. Martin Schongauer: His Innovation and His Imitators. Israhel Van Meckenem: Entrepreneurial Printmaker and Pirate. Early Traces of Print Collecting. The Development of a Tonal System. The Impression as a Work of Art. Prints as Competitors of Paintings. The Market -- IV. From Collaboration to Reproduction in Italy. The Early Years. Marcantonio, Agostino Veneziano, and Marco Dente.
505 0 $aTitian, Parmigianino, and Rosso and Their Collaboration With Ugo Da Carpi, Caraglio, and Antonio Da Trento. The Birth of the Reproductive Print -- V. The Cultivation of the Woodcut in the North. The Refinement of the Single-Leaf Woodcut: 1500-1512. The First Masters. Color Printing. Altdorfer and the Miniature Woodcut. Emperor Maximilian's Woodcut Projects. Maximilian's Block Cutters Thereafter. Corner Presses and Their Public. Mural Woodcuts and Their Proper Walls. Prints and Facts: The Specialized Markets -- VI. Artistic Experiment and the Collector's Print. The Innovators and Their Followers. Italian Printmakers: Their Milieu and the Market. Print Publishing in Italy. Northern Engraving: The Refinement of the Art. Etching: The Failed Experiment. Northern Printmakers: Their Milieu and the Market -- VII. Epilogue -- Appendix: Currencies, Values, and Wages.
650 0 $aPrints, Renaissance.$0http://id.loc.gov/authorities/subjects/sh85106888
650 0 $aPrints$y15th century.$0http://id.loc.gov/authorities/subjects/sh85106832
650 0 $aPrints$y16th century.$0http://id.loc.gov/authorities/subjects/sh85106833
700 1 $aParshall, Peter W.$0http://id.loc.gov/authorities/names/n85219810
852 80 $bfax$hNE405$iL23