| Record ID | marc_columbia/Columbia-extract-20221130-003.mrc:411642924:2072 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-003.mrc:411642924:2072?format=raw |
LEADER: 02072fam a2200397 a 4500
001 1438156
005 20220602034636.0
008 930415s1994 enk b 001 0 eng
010 $a 93010963
020 $a0719035546
020 $a0719035554 (pbk.)
035 $a(OCoLC)28066068
035 $a(OCoLC)ocm28066068
035 $9AHV6192CU
035 $a(NNC)1438156
035 $a1438156
040 $aDLC$cDLC$dNNC
050 00 $aPN1995$b.A748 1994
082 00 $a791.43/015$220
100 1 $aArmes, Roy.$0http://id.loc.gov/authorities/names/n79084150
245 10 $aAction and image :$bdramatic structure in cinema /$cRoy Armes.
260 $aManchester ;$aNew York :$bManchester University Press ;$aNew York :$bDistributed exclusively in the USA and Canada by St. Martin's Press,$c1994.
263 $a9404
300 $ax, 198 pages ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (p. [187]-194) and index.
505 0 $aPt. 1. Film as Drama. 1. Readings and viewings. 2. Showing and telling. 3. Text and performance. 4. Stage and screen -- Pt. 2. Plots. 5. The closed plot: North by Northwest. 6. The open plot: L'avventura. 7. Plot and narration: Rashomon. 8. The refusal of plot: L'annee derniere a Marienbad -- Pt. 3. Protagonists. 9. The individual as protagonist: The Big Sleep. 10. The hand of God: Un condamne a mort s'est echappe. 11. The group as protagonist: Ceddo. 12. The disintegration of the protagonist: Pierrot le fou.
650 0 $aMotion pictures$xAesthetics.$0http://id.loc.gov/authorities/subjects/sh85088085
650 0 $aMotion picture plays$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh85088065
650 0 $aMotion pictures$xPlots, themes, etc.$0http://id.loc.gov/authorities/subjects/sh85088103
650 0 $aNarration (Rhetoric)$0http://id.loc.gov/authorities/subjects/sh85089833
852 00 $bglx$hPN1995$i.A748 1994
852 00 $bmil$hPN1995$i.A748 1994
852 00 $boff,glx$hPN1995$i.A748 1994