| Record ID | marc_columbia/Columbia-extract-20221130-003.mrc:429781841:2886 |
| Source | marc_columbia |
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LEADER: 02886fam a2200433 a 4500
001 1450996
005 20220602040514.0
008 930512s1994 enk b 000 0 eng
010 $a 93024773
020 $a0521445655
035 $a(OCoLC)28723091
035 $a(OCoLC)ocm28723091
035 $9AHX2091CU
035 $a(NNC)1450996
035 $a1450996
040 $aDLC$cDLC$dNNC
043 $ae-uk-en
050 00 $aPR4837$b.B45 1994
082 00 $a821/.7$220
100 1 $aBennett, Andrew,$d1960-$0http://id.loc.gov/authorities/names/n2007065996
245 10 $aKeats, narrative and audience :$bthe posthumous life of writing /$cAndrew Bennett.
260 $aCambridge [England] ;$aNew York :$bCambridge University Press,$c1994.
300 $axii, 254 pages ;$c24 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aCambridge studies in Romanticism
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: figures of reading -- 1. Narrative and audience in Romantic poetics -- 2. Keats's letters -- 3. The early verse and Endymion -- 4. 'Isabella' -- 5. 'The Eve of St Agnes' -- 6. 'La Belle Dame sans Merci' -- 7. The spring odes -- 8. The 'Hyperion' poems -- 9. 'To Autumn' -- Epilogue: allegories of reading ('Lamia').
520 $aAndrew Bennett's original study of Keats focuses on questions of narrative and audience as a means to offer new readings of the major poems. It discusses ways in which reading is 'figured' in Keats's poetry, and suggests that such 'figures of reading' have themselves determined certain modes of response to Keats's texts. In particular, it explores the way in which Romantic writing figures reception as necessarily deferred to a time after the poet's death: reading as the 'posthumous life' of writing.
520 8 $aTogether with important new readings of Keats's poetry, the study presents a significant rethinking of the relationship between Romantic poetry and its audience. Developing recent discussions in literary theory concerning narrative, readers and reading, the nature of the audience for poetry, and the Romantic 'invention' of posterity, Bennett elaborates a sophisticated and historically specific reconceptualization of Romantic writing.
600 10 $aKeats, John,$d1795-1821$xCriticism and interpretation.
650 0 $aAuthors and readers$zEngland$xHistory$y19th century.
650 0 $aReader-response criticism.$0http://id.loc.gov/authorities/subjects/sh85111643
650 0 $aRomanticism$zEngland.$0http://id.loc.gov/authorities/subjects/sh2008111002
650 0 $aNarration (Rhetoric)$0http://id.loc.gov/authorities/subjects/sh85089833
830 0 $aCambridge studies in Romanticism.$0http://id.loc.gov/authorities/names/n92012333
852 00 $bglx$hPR4837$i.B45 1994
852 00 $bbar$hPR4837$i.B45 1994