MARC Record from marc_columbia

LEADER: 02221fam a2200373 a 4500
001 1482604
005 20220602043939.0
008 930617t19941994caua bk 001 0 eng
010 $a 93011562
020 $a0534214509
035 $a(OCoLC)28424256
035 $a(OCoLC)ocm28424256
035 $9AJB0914CU
035 $a(NNC)1482604
035 $a1482604
040 $aDLC$cDLC$dDLC
050 00 $aML1380$b.P45 1994
082 00 $a786.7$220
100 1 $aPellman, Samuel,$d1953-2017.$0http://id.loc.gov/authorities/names/n80095878
245 13 $aAn introduction to the creation of electroacoustic music /$cSamuel Pellman.
260 $aBelmont, Calif. :$bWadsworth Pub. Co.,$c[1994], ©1994.
300 $axv, 441 pages :$billustrations ;$c28 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aDiscography: p. 422-429.
504 $aIncludes bibliographical references and index.
505 0 $aCh. 1. From Sound to Electricity, and Back -- Ch. 2. Music from Tape Recorders -- Ch. 3. Digital Recording -- Ch. 4. Multiple-Track Recording and Mixing -- Ch. 5. The Musical Instrument Digital Interface -- Ch. 6. Advanced MIDI Networks -- Ch. 7. Tone Colors -- Ch. 8. Analog Sound Synthesis -- Ch. 9. Digital Sound Sampling and Synthesis -- Ch. 10. Composing Electroacoustic Music -- Ch. 11. The Audience for Electroacoustic Music -- Ch. 12. Technology and Music: From the Past to the Future -- Appendix A: Hints for Microphone Placement in Common Recording and Sound-Reinforcement Situations -- Appendix B: Other Systems of Numbers -- Appendix C: Further Details of the Musical Instrument Digital Interface -- Appendix D: Suggested Listening -- Appendix E: The Interaction of Music and Technology: A Case Study.
650 0 $aElectronic music$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008102948
650 0 $aElectronic music$xInstruction and study.$0http://id.loc.gov/authorities/subjects/sh2008119319
650 0 $aMusic$xAcoustics and physics.$0http://id.loc.gov/authorities/subjects/sh85088771
740 0 $aCreation of electroacoustic music.
740 0 $aElectroacoustic music.
852 00 $boff,mus$hML1380$i.P45 1994