| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:100979726:3977 |
| Source | marc_columbia |
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LEADER: 03977fam a2200457 a 4500
001 1575083
005 20220608192302.0
008 931222s1994 enka b 001 0 eng
010 $a 93050148
020 $a0521460697
035 $a(OCoLC)29636793
035 $a(OCoLC)ocm29636793
035 $9AKG4759CU
035 $a(NNC)1575083
035 $a1575083
040 $aDLC$cDLC$dNNC$dOrLoB$dOrLoB
043 $ae-uk-en
050 00 $aPR2829$b.V38 1995
082 00 $a822.3/3$220
100 1 $aVaughan, Virginia Mason.$0http://id.loc.gov/authorities/names/n88259279
245 10 $aOthello :$ba contextual history /$cVirginia Mason Vaughan.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c1994.
300 $axiv, 243 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 0 $aPt. I. Jacobean Contexts. 1. Global discourse: Venetians and Turks. 2. Military discourse: knights and mercenaries. 3. Racial discourse: black and white. 4. Marital discourse: husbands and wives -- Pt. II. Representations. 5. Othello in Restoration England. 6. Amateur versus professional: the Delaval Othello. 7. William Charles Macready and the domestic Othello. 8. Salvini, Irving, and the dissociation of intellect. 9. "The Ethiopian Moor": Paul Robeson's Othello. 10. Orson Welles and the patriarchal eye. 11. Othello in the 1990s: Trevor Nunn's 1989 Royal Shakespeare Company production.
520 $aShakespeare's Othello has exercised a powerful fascination over audiences for centuries with its intense portrayal of passionate love and destructive jealousy. This study is a major exercise in the historicization of Othello. Initially the author examines the early Jacobean context of the play, and the discourses which formed its writing.
520 8 $aCirculating simultaneously in late Renaissance London were accounts of Mediterranean clashes between Turks and Venetians, treatises on the professionalization of England's military forces, depictions of North Africans and blackamoors, and narratives of jealous husbands who murdered their wives. In the centuries after 1604, productions of Othello stressed the contextual discourse that best reflected current cultural concerns.
520 8 $a.
520 8 $aThe first section examines these four sets of contemporary writings and demonstrates how they were embedded in the text of Othello. The following chapters trace Othello's history on stage or in film in England and the United States from the Restoration to the late 1980s. Each chapter highlights particular productions or performers to demonstrate how and why elements from Shakespeare's text were emphasized or repressed.
520 8 $aIn the Restoration, for example, Othello was a gentleman and an officer, his characterization shaped by actors who had served in King Charles' army. During the Victorian period, in contrast, the Moor's private role of devoted husband was privileged over his occupation. When Paul Robeson performed Othello in 1930 and 1943-44, race was highlighted as the play's central issue.
520 8 $aOthello is thus revealed as a significant shaper and major reflector of cultural meanings, as it participated in a complex negotiation between actors, critics, audiences, and the culture at large.
600 10 $aShakespeare, William,$d1564-1616.$tOthello.$0http://id.loc.gov/authorities/names/n82049570
600 10 $aShakespeare, William,$d1564-1616.$0http://id.loc.gov/authorities/names/n78095332
600 10 $aShakespeare, William,$d1564-1616$xStage history.$0http://id.loc.gov/authorities/subjects/sh85121041
650 0 $aLiterature and history$zEngland$xHistory$y17th century.$0http://id.loc.gov/authorities/subjects/sh2009129889
852 00 $bglx$hPR2829$i.V38 1994
852 00 $boff,glx$hPR2829$i.V38 1995
852 00 $bmil$hPR2829$i.V38 1995
852 00 $bbar$hPR2829$i.V38 1994