| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:101572711:2352 |
| Source | marc_columbia |
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LEADER: 02352fam a22003858a 4500
001 1575515
005 20220608192330.0
008 940301s1994 nyua bq 001 0 eng
010 $a 94009603
020 $a0521380669 (hardback)
020 $a052138978X (paperback)
035 $a(OCoLC)221914923
035 $a(OCoLC)ocn221914923
035 $9AKG5237CU
035 $a(NNC)1575515
035 $a1575515
040 $aDLC$cDLC$dNNC$dOrLoB$dOrLoB
050 00 $aPN1998.3.C36$bP63 1994
082 00 $a791.43/0233/092$220
100 1 $aPoague, Leland A.,$d1948-$0http://id.loc.gov/authorities/names/n82020037
245 10 $aAnother Frank Capra /$cLeland Poague.
260 $aNew York, NY :$bCambridge University Press,$c1994.
263 $a9411
300 $axviii, 286 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCambridge studies in film
504 $aIncludes bibliographical references (p. 261-274) and index.
504 $aSelected filmography: p. 275-279.
505 0 $a1. Picturing Capra. Meet Frank Capra. Critical Concepts. You Can't Take It with You -- 2. Melodrama and the Unknown Woman: Forbidden -- 3. Questions of Difference: Mr. Deeds Goes to Town -- 4. Glimpsing the Eternal: Lost Horizon -- 5. "This Is a Man's World": Mr. Smith Goes to Washington -- 6. "To Be or Not to Be": It's a Wonderful Life -- Postscript: The Catastrophe of Success.
520 $aAnother Frank Capra offers a new interpretation of the great hollywood director beyond the patriotic sentimentalist or the cynical opportunist that he has been taken for. Often cast as a cinematic simpleton or primitive, Capra's exploitation of the stylistic and narrative resources of cinema was, in fact, extremely self-conscious and adventurous in ways typical of artistic modernism. His modernism is also evident in his repeated and strong identification with female characters.
520 8 $aInformed by recent work in genre theory and feminist psychology, Another Frank Capra shows Capra to be a "proto-feminist" director whose feminism has been entirely neglected by previous critics.
600 10 $aCapra, Frank,$d1897-1991$xCriticism and interpretation.
830 0 $aCambridge studies in film.$0http://id.loc.gov/authorities/names/n86744061
852 00 $bglx$hPN1998.3.C36$iP63 1994