| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:115155880:3779 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:115155880:3779?format=raw |
LEADER: 03779fam a2200385 a 4500
001 1587383
005 20220608193419.0
008 940225s1995 nyu b 001 0 eng
010 $a 94008739
020 $a0815313381 (alk. paper)
035 $a(OCoLC)30036124
035 $a(OCoLC)ocm30036124
035 $9AKH8460CU
035 $a(NNC)1587383
035 $a1587383
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB$dOrLoB$dOrLoB-B
043 $an-us---
050 00 $aPS374.S5$bA3968 1994
082 00 $a813/.0109$220
245 00 $aAmerican women short story writers :$ba collection of critical essays /$cedited by Julie Brown.
260 $aNew York, NY :$bGarland Pub.,$c1995.
300 $axxx, 367 pages ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aGarland reference library of the humanities ;$vvol. 1737.$aWellesley studies in critical theory, literary history, and culture ;$vvol. 8
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction /$rJulie Brown --$tLiterary Excellence and Social Reform: Lydia Maria Child's Ultraisms for the 1840s /$rBruce Mills --$tFiction as Political Discourse: Rose Terry Cooke's Antisuffrage Short Stories /$rSherry Lee Linkon --$tElizabeth Stoddard: An Examination of Her Work as Pivot Between Exploratory Fiction and the Modern Short Story /$rTimothy Morris --$tWho Was That Masked Woman? Gender and Form in Louisa May Alcott's Confidence Stories /$rGail K. Smith --$tRipe Fruit: Fantastic Elements in the Short Fiction of Ellen Glasgow, Edith Wharton, and Eudora Welty /$rStephanie Branson --$tLady Terrorists: Nineteenth-Century American Women Writers and the Ghost Story /$rBarbara Patrick --$tRepresentations of Female Authorship in Turn-of-the-Century American Magazine Fiction /$rEllen Gruber Garvey --$tLesbian Magazine Fiction in the Early Twentieth Century /$rLillian Faderman --$tMartha Wolfenstein's Idyls of the Gass and the Dilemma of Ethnic Self-Representation /$rBarbara Shollar --
505 80 $tFannie Hurst's Short Stories of Working Women - "Oats for the Woman," "Sob Sister," and Contemporary Reader Responses: A Meditation /$rSusan Koppelman --$tLost Borders and Blurred Boundaries: Mary Austin as Storyteller /$rLinda K. Karell --$tRitual and Renewal: Keres Traditions in the Short Fiction of Leslie Silko /$rA. LaVonne Brown Ruoff --$t"A Revolutionary Tale": In Search of African American Women's Short Story Writing /$rBill Mullen --$tSociety and Self in Alice Walker's In Love and Trouble /$rDolan Hubbard --$tDisplaced Abjection and States of Grace: Denise Chavez's The Last of the Menu Girls /$rDouglas Anderson --$tDorothy Parker's Perpetual Motion /$rKen Johnson --$tThe "Feminine" Short Story in America: Historicizing Epiphanies /$rMary Burgan --$tJoyce Carol Oates: Reimagining the Masters, Or, A Woman's Place Is in Her Own Fiction /$rMargaret Rozga --$tGender and Genre: The Case of the Novel-in-Stories /$rMargot Kelley --
505 80 $tThe Great Ventriloquist Act: Gender and Voice in the Fiction Workshop /$rJulie Brown --$tBibliography of Primary Sources /$rSusan Koppelman --$tBibliography of Secondary Sources /$rAmy Shoenberger.
650 0 $aShort stories, American$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008111636
700 1 $aBrown, Julie,$d1961-$0http://id.loc.gov/authorities/names/n94019052
830 0 $aGarland reference library of the humanities ;$vv. 1737.$0http://id.loc.gov/authorities/names/n42011953
830 0 $aGarland reference library of the humanities.$pWellesley studies in critical theory, literary history, and culture ;$vv. 8.$0http://id.loc.gov/authorities/names/n93025097
852 00 $bglx$hPS374.S5$iA3968 1995
852 00 $bbar$hPS374.S5$iA3968 1995