MARC Record from marc_columbia

LEADER: 04021fam a2200361 a 4500
001 1647652
005 20220608204116.0
008 941118t19951995njuc 000 0 eng
010 $a 94043654
020 $a0880014059
035 $a(OCoLC)31657851
035 $a(OCoLC)ocm31657851
035 $9AKQ9462CU
035 $a(NNC)1647652
035 $a1647652
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB
050 00 $aPR4742$b.B76 1995
082 00 $a821/.8$220
100 1 $aHardy, Thomas,$d1840-1928.$0http://id.loc.gov/authorities/names/n79046230
245 14 $aThe essential Hardy /$cselected and with an introduction by Joseph Brodsky.
260 $aHopewell, N.J. :$bEcco Press,$c[1995], ©1995.
300 $a184 pages :$bportrait ;$c17 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aThe Essential poets series ;$vv. 21
505 00 $tIntroduction /$rJoseph Brodsky --$tHap --$tNeutral Tones --$tLeipzig --$tIn a Wood --$tI Look into My Glass --$tDrummer Hodge --$tThe Souls of the Slain --$tShelley's Skylark --$tRome: At the Pyramid of Cestius near the Graves of Shelley and Keats --$tOn an Invitation to the United States --$tI Said to Love --$tAt a Lunar Eclipse --$tThe Subalterns --$tMute Opinion --$tTo Flowers from Italy in Winter --$tTo Lizbie Browne --$tA Broken Appointment --$tThe Widow Betrothed --$tThe Darkling Thrush --$tThe Comet at Yell'ham --$tThe Ruined Maid --$tIn Tenebris I --$tIn Tenebris II --$tThe Church-Builder --$tShut Out That Moon --$t1967 --$tOn the Departure Platform --$tIn a Cathedral City --$tLet Me Enjoy --$tAt Casterbridge Fair --$gI.$tThe Ballad-Singer --$gII.$tFormer Beauties --$gIII.$tAfter the Club-Dance --$gIV.$tThe Market Girl --$gV.$tThe Inquiry --$gVI.$tA Wife Waits --$gVII.$tAfter the Fair --$tThe Roman Road --$tThe Reminder --$tThe Rambler --$tIn Front of the Landscape --
505 80 $tThe Convergence of the Twain --$tWessex Heights --$tIn Death Divided --$tThe Schreckhorn --$tUnder the Waterfall --$tThe Going --$tYour Last Drive --$tI Found Her Out There --$tThe Haunter --$tThe Voice --$tAfter a Journey --$tAt Castle Boterel --$tThe Phantom Horsewoman --$tWhere the Picnic Was --$tThe Newcomer's Wife --$tRegret Not Me --$tStarlings on the Roof --$tThe Two Soldiers --$tThe Roman Gravemounds --$tThe Satin Shoes --$tAfterwards --$tIn the Moonlight --$tIn a Museum --$tHeredity --$tNear Lanivet, 1872 --$tTiming Her --$tThe Oxen --$tTransformations --$tThe Last Signal --$tOld Furniture --$tDuring Wind and Rain --$tFor Life I Had Never Cared Greatly --$tThe Pity of It --$tIn Time of "The Breaking of Nations" --$tI Looked Up from My Writing --$tGoing and Staying --$t"And There Was a Great Calm" --$tHaunting Fingers --$tThe Selfsame Song --$tAt Lulworth Cove a Century Back --$tEvelyn G. of Christminster --$tBy Henstridge Cross at the Year's End --$tVagg Hollow --$tFirst or Last --
505 80 $tIn a London Flat --$tAn Ancient to Ancients --$tWhen Dead --$tNo Buyers --$tNobody Comes --$tHorses Aboard --$tThe Missed Train --$tEpitaph on a Pessimist --$tThe Protean Maiden --$tThe Rover Come Home --$tLying Awake --$tWe Say We Shall Not Meet --$tChristmas: 1924 --$tHow She Went to Ireland --$tHe Resolves to Say No More.
520 $aExtraordinary claims for a dead poet are best made on the basis of his entire oeurve; as we are perusing only some of Thomas Hardy's work, we may dodge the temptation. Suffice it to say that he is one of the very few poets who, under minimal scrutiny, easily escape the past. What helps his escape is obviously the content of his poems: they are simply extraordinarily interesting to read. And to reread, since their texture is often pleasure-resistant. That was his whole gamble, and he won.
700 1 $aBrodsky, Joseph,$d1940-1996.$0http://id.loc.gov/authorities/names/n80022834
830 0 $aEssential poets (New York, N.Y.) ;$vv. 21.$0http://id.loc.gov/authorities/names/n86737904
852 00 $boff,glx$hPR4742$i.B76 1995
852 00 $boff,glx$hPR4742$i.B76 1995