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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-004.mrc:212071833:3547
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:212071833:3547?format=raw

LEADER: 03547fam a2200397 a 4500
001 1667271
005 20220608205933.0
008 940705t19951995nyua b 001 0 eng
010 $a 94005326
020 $a0945193645
035 $a(OCoLC)30816383
035 $a(OCoLC)ocm30816383
035 $9AKT2019CU
035 $a(NNC)1667271
035 $a1667271
040 $aDLC$cDLC$dDLC$dOrLoB
050 00 $aMT92.B1$bN48 1994
082 00 $a780/.92$220
100 1 $aNewman, Anthony.$0http://id.loc.gov/authorities/names/n82145576
245 10 $aBach and the baroque :$bEuropean source materials from the baroque and early classical periods with special emphasis on the music of J.S. Bach /$cby Anthony Newman.
250 $a2nd ed.
260 $aStuyvesant, NY :$bPendragon Press,$c[1995], ©1995.
300 $avii, 257 pages :$billustrations ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aThe 1st ed. published with subtitle: a performing guide to baroque music with special emphasis on the music of J.S. Bach.
504 $aIncludes bibliographical references (p. 251-252) and index.
505 0 $aProblems of Biases and Drawing Conclusions -- Sources -- National Styles -- Criteria for Effective Performance -- Meters, Tempi and Accents -- Tactus, Pulse, Beat and Time Signatures -- Tempo Words -- Compound Signatures -- Irregular Beat Groupings -- Bravura Works -- Word Accents -- Strong and Weak -- Irregular Beat Alterations -- Rubato -- Fringing -- Inequality and Pairs of Notes -- Fingering and Rhythmic Modification -- Inequality and Note Holding -- Concerning Cadences and Inequality Procedure -- Bach and Inequality -- Slur Patterns -- Dotted Notes -- Overture Style -- Triplets -- Embellishments and Ornaments -- Cadenzas -- Dance Music -- Important Quotes from Quantz -- Important Quotes from C.P.E. Bach -- Bach's Method of Composition -- Symbolism in General -- The Transition to Classicism -- Important Quotes from Turk -- String Playing -- The Organ, Harpsichord, and Clavichord -- Bach and the Piano.
520 $aFor more than twenty years, Anthony Newman has been in the public eye as one of the country's leading organ vituosos and as a harpsichordist, fortepianist, conductor, composer, writer, and recording artist. His more than 100 releases on such labels as CBS Masterworks/Sony Classical, Newport Classic Recordings, and Moss Music Group cover a range of styles from the seventeenth to the twentieth centuries.
520 8 $aHis 1989 fortepiano performance of Beethoven's Third Concerto was named Record of the Year by Stereo Review.
520 8 $aIn 1992, to mark the 25th anniversary of Mr. Newman's first public appearance, Newport Classics released five CDs covering the range of his artistry. A frequent collaborator with many notable artists, Mr. Newman has also recorded for both Sony Classical and Deutsche Grammophon with Kathleen Battle, Itzhak Perlman, and Wynton Marsalis.
520 8 $aHis solo appearances as organist and harpsichordist from New York and Chicago to Mexico City, Paris, Praque, and Vienna have confirmed his reputation as one of the keyboard masters of his generation.
600 10 $aBach, Johann Sebastian,$d1685-1750$xCriticism and interpretation.
650 0 $aPerformance practice (Music)$xHistory$y17th century.$0http://id.loc.gov/authorities/subjects/sh89003985
650 0 $aPerformance practice (Music)$xHistory$y18th century.$0http://id.loc.gov/authorities/subjects/sh89003986
852 00 $boff,mus$hMT92.B1$iN48 1994