MARC Record from marc_columbia

LEADER: 03844fam a2200421 a 4500
001 1674880
005 20220608210913.0
008 941020t19951995deu b 101 0 eng
010 $a 94042534
020 $a0874135443 (alk. paper)
035 $a(OCoLC)31434336
035 $a(OCoLC)ocm31434336
035 $9AKU0677CU
035 $a(NNC)1674880
035 $a1674880
040 $aDLC$cDLC$dNNC$dOrLoB
043 $ae-uk---
050 00 $aPR423$b.S83 1995
082 00 $a820.9$220
245 00 $aSubjects on the world's stage :$bessays on British literature of the Middle Ages and the Renaissance /$cedited by David G. Allen and Robert A. White.
260 $aNewark :$bUniversity of Delaware Press ;$aLondon :$bAssociated University Presses,$c[1995], ©1995.
263 $a9510
300 $a319 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aRev. versions of papers originally presented at the Seventh Citadel Conference on Literature, Charleston, S.C., 1991.
504 $aIncludes bibliographical references and index.
505 00 $tThe Poetic Subject from Chaucer to Spenser /$rA. C. Spearing --$tThe Fyn of the Troilus /$rThomas J. Farrell --$tThe Moral Landscape of The Pardoner's Tale /$rBruce A. Johnson --$tGod's Body: Incarnation, Physical Embodiment, and the Fate of Biblical Theater in the Sixteenth Century /$rMichael O'Connell --$tGalathea and the Interplay of Voices in Skelton's Speke, Parrot /$rNancy L. Coiner --$tPride and Pastoral in The Shepheardes Calender /$rTed Brown --$t"When first I ended, then I first began": Petrarch's Triumph in Michael Drayton's Idea /$rMichael Wentworth --$tMarlowe's Icarus: Culture and Myth in Dr. Faustus /$rSallye J. Sheppeard --$tThe 1604 and 1616 Versions of Dr. Faustus: Text and Performance /$rGeorge L. Geckle --$tAll's Well That Plays Well /$rDavid Bevington --$tMistress Overdone's House /$rMartha Widmayer --$t"This day my sister should the cloister enter": The Convent as Refuge in Measure for Measure /$rMaureen Connolly McFeely --
505 80 $tOphelia's Mad Songs: Music, Gender, Power /$rJacquelyn A. Fox-Good --$tIdealization and the Problematic in The Tempest /$rJoseph Westlund --$tShakespeare's Art of Characterization: An Unambiguous Perspective /$rRobert Ornstein --$t"That use is not forbidden usury": Shakespeare's Procreation Sonnets and the Problem of Usury /$rJohn B. Mischo --$t"Virtues Sphear": Court vs. Country in the 1618 Masque at Coleorton /$rKaren L. Middaugh --$tCecilia Bulstrode, "The Court Pucell" /$rRobert W. Halli, Jr.
520 $aIn this collection eighteen scholars offer various readings on British literature of the Middle Ages and the Renaissance. Although the period covered ranges from the thirteenth through the seventeenth centuries, the essays are tied together by a common interest in one of three topics: poetic personae, dramatic production, and the influence of social context upon authors or dramatists.
520 8 $aCommon to these topics is the crucial point of contact between an artist and society that prompts the literary imagination to respond either with the creation of a new character or with the demonstration of change in an old one.
650 0 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism$vCongresses.$0http://id.loc.gov/authorities/subjects/sh2008119683
650 0 $aEnglish literature$yMiddle English, 1100-1500$xHistory and criticism$vCongresses.
650 0 $aRenaissance$zGreat Britain$vCongresses.
700 1 $aAllen, David G.,$d1953-$0http://id.loc.gov/authorities/names/n88265682
700 1 $aWhite, Robert A.,$d1943-$0http://id.loc.gov/authorities/names/n88265683
711 2 $aCitadel Conference on Medieval and Renaissance Literature$n(7th :$d1991 :$cCharleston, S.C.)
852 00 $bglx$hPR423$i.S83 1995