MARC Record from marc_columbia

LEADER: 04549mam a22004698a 4500
001 1680875
005 20220608211711.0
008 940802t19951995deuag b 001 0 eng
010 $a 94031894
020 $a087413532X
035 $a(OCoLC)ocm30973869
035 $9AKU8340CU
035 $a(NNC)1680875
035 $a1680875
040 $aDLC$cDLC$dIAY$dOrLoB
043 $ae-uk-en$ae-fr---
050 00 $aPR647$b.F74 1995
082 00 $a822/.309$220
245 00 $aFrench essays on Shakespeare and his contemporaries :$b"what would France with us?" /$cedited by Jean-Marie Maguin and Michèle Willems.
260 $aNewark :$bUniversity of Delaware Press ;$aLondon ;$aCranbury, NJ :$bAssociated University Presses,$c[1995], ©1995.
263 $a9507
300 $a335 pages :$billustrations, music ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aInternational studies in Shakespeare and his contemporaries
500 $a"In Association with The International Shakespeare Association."
504 $aIncludes bibliographical references and index.
505 00 $tPreface /$rJean-Marie Maguin --$t"Travels in the Clouds": Metamorphosis, Doubt, and Reason in the Renaissance /$rYves Peyre --$tTime and Tragic Mode in The Duchess of Malfi /$rJean-Pierre Maquerlot --$t"God Gyve You Tyme and Space": Towards a Definition of Theatrical Space in the Tudor Interludes /$rJean-Paul Debax --$tTime and Place in Tudor Theater: Two Remarkable Achievements - Fulgens and Lucres and Gorboduc /$rAndre Lascombes --$tWord and Action /$rJean Michel Deprats --$tMusic and Difference: Elizabethan Stage Music and Its Reception /$rPierre Iselin --$tFrom Text to Stage: The Interpretation of Songs on the Elizabethan Stage /$rFrancis Guinle --$tSad Stories /$rDominique Goy-Blanquet --$tOf a Monstrous Body /$rRichard Marienstras --$tEpics and Ethics in 1 Henry IV /$rAnn Lecercle --$t"Women and horses and power and war": Worship of Mars from I Henry IV to Coriolanus /$rMichele Willems --
505 80 $tThe Lovers of Venice, or the Argonauts' Second Return: From Myth to Dramatic Representation /$rRaymond Gardette --$tWords and Things in All's Well That Ends Well /$rFrancois Laroque --$tHamlet: The End of the Innocence of Language or the End of the Show? /$rPierre Spriet --$tRise and Fall of the King of Darkness /$rJ.-M. Maguin --$tThe Authenticity of the Hecate Scenes in Macbeth: Arguments and Counter-arguments /$rHenri Suhamy --$tMonsters in the Literature and Spectacles of the English Renaissance: An Expression of Insecurity /$rM. T. Jones-Davies --$tBaroque Space and Time in Chapman's Tragedy: The Conspiracy and Tragedy of Byron /$rGisele Venet --$tTopography in John Day's Plays: The Dialectic of Topicality and Utopia /$rJean-Pierre Villquin.
520 $aThe nineteen essays selected for this volume represent typical work concerning Shakespeare and related studies carried out in France over the past fifteen years. Interests run from textual history to drama and theater poetics, myth, and iconography.
520 8 $aThe work of directors staging Shakespeare in French, questions of time and space (including scenic space), the reception of music, the interpretation of songs in the theater, the monstrous as concept and metaphor, the changing tensions between language and reality, Homer or historiography as sources of Shakespeare, and the theme of war are other issues addressed.
520 8 $aSome of the essays show the influence of structuralist poetics or poststructuralism; all rely on a thorough knowledge of Renaissance idiom and thought.
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103081
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation.$0http://id.loc.gov/authorities/subjects/sh85120926
600 10 $aShakespeare, William,$d1564-1616$xAppreciation$zFrance.
650 0 $aEnglish drama$y17th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103082
650 0 $aEnglish drama$xAppreciation$zFrance.$0http://id.loc.gov/authorities/subjects/sh2009003820
650 0 $aCriticism$zFrance.
700 1 $aMaguin, Jean-Marie.$0http://id.loc.gov/authorities/names/n87113229
700 1 $aWillems, Michèle.$0http://id.loc.gov/authorities/names/n85154545
830 0 $aInternational studies in Shakespeare and his contemporaries.$0http://id.loc.gov/authorities/names/n92064875
852 00 $bglx$hPR647$i.F74 1995